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" Could you on this fair mountain leave to feed, And batten on this moor ? Ha ! have you eyes ? You cannot call it love, for at your age The hey-day in the blood is tame, it's humble, And waits upon the judgment ; and what judgment Would step from this... "
The works of Shakespear [ed. by H. Blair], in which the beauties observed by ... - Page 147
by William Shakespeare - 1771
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Hamlet: The Tragedie of Hamlet, Prince of Denmarke

William Shakespeare - 2001 - 304 pages
...husband. Look you now what follows. Here is your husband, like a mildew'd ear Blasting his wholesome brother. Have you eyes? Could you on this fair mountain...love; for at your age The heyday in the blood is tame, it's humble, The Tragedie of Hamlet 145 If damned Custome haue not braz'd it so, That it is proofe...
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Deadly Thought: Hamlet and the Human Soul

Jan H. Blits - 2001 - 420 pages
...intervention. Having described the brothers' looks, Hamlet proceeds to discuss Gertrude's ability to see: Have you eyes? Could you on this fair mountain leave...to feed And batten on this moor? Ha, have you eyes? (3.4.65-67) Although she was able to see the difference, Gertrude acted as though she were blind. She...
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The Tragedie of Coriolanus

William Shakespeare - 2001 - 778 pages
...(Dict., sv 1) : To grow fat; to fatten (Scand.). Shakespeare has batten (Intrans.), Hamlet, III, iv, 67, ['Could you on this fair mountain leave to feed And batten on this moor']; but Milton has 'battening our flocks,' Lycidas, l. 29. Strictly, it is Intransitive. Icelandic: batna,...
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Hamlet

William Shakespeare - 2001 - 212 pages
...husband. Look you now what follows. Here is your husband, like a mildewed ear Blasting his wholesome brother. Have you eyes? Could you on this fair mountain leave to feed, 67 And batten on this moor? Ha! have you eyes? You cannot call it love, for at your age 69 The heyday...
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Amleto

William Shakespeare - 1995 - 340 pages
...husband. Look you now what follows. Here is your husband ; like a mildewed ear, Blasting his wholesome brother. Have you eyes? Could you on this fair mountain...feed, And batten on this moor? Ha! Have you eyes? You cannut call it love. For at your age The heyday in the blood is rame; it's humble, Un atto tale che...
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Menopause: Bridging the Gap Between Natural and Conventional Medicine

Lorilee Schoenbeck - 2002 - 356 pages
...she could, at her age, experience new passion; rather she is supposed to just wait for her own death: "You cannot call it love, for at your age, the heyday in the blood is tame, it's humble, and waits upon the judgment."27 The notion of the defeminized, dispassionate, and depressed...
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Shakespeare Survey, Volume 34

Stanley Wells - 2002 - 228 pages
...remember Hamlet's double-edged words to Gertrude, when he shows her the portraits of her two husbands: Could you on this fair mountain leave to feed, And batten on this moor? (3.4.66-7) In fact, throughout the first scene of Othello, the Moor is presented in the traditional...
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The Cambridge Shakespeare Library

Catherine M. S. Alexander - 488 pages
...'see the inmost part' of herself, and cries, showing her the two portraits of his father and Claudius, Have you eyes? Could you on this fair mountain leave...feed, And batten on this moor? Ha! have you eyes? (m, iv, 65-7) She confesses, 'Thou turnst mine eyes into my very soul', but the confusion between the...
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The Kendall/Hunt Anthology: Literature to Write About

K. H. Anthol - 2003 - 344 pages
...husband. Look you now what follows: Here is your husband, like a mildew'd ear, Blasting his wholesome [brother]. Have you eyes? Could you on this fair mountain leave to feed, 66 And batten on this moor? Ha! have you eyes? You cannot call it love, for at your age The hey-day...
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The Ethics of Mourning: Grief and Responsibility in Elegiac Literature

R. Clifton Spargo - 2004 - 338 pages
...husband. Look you now what follows. Here is your husband, like a mildewed ear Blasting his wholesome brother. Have you eyes? Could you on this fair mountain...to feed And batten on this moor? Ha, have you eyes? (3.4.62-66) "Look you now what follows" refers, first of all, to the staged order of Hamlet's presentation...
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