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" Come, come, and sit you down ; you shall not budge ; You go not till I set you up a glass Where you may see the inmost part of you. "
Familiar Proverbial and Select Sayings from Shakspere - Page 112
by William Shakespeare, John B. Marsh - 1863 - 162 pages
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Freeing Shakespeare's Voice: The Actor's Guide to Talking the Text

Kristin Linklater - 1992 - 214 pages
...parental superiority) Hamlet: Come, come and sit down, you shall not budge. You go not till I have set you up a glass Where you may see the inmost part of you. Queen: What wilt thou do? Thou wilt not murder me? (her status has dropped to that of suppliant) Help,...
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Staging Politics: The Lasting Impact of Shakespeare's Histories

Wolfgang Iser, David Wilson, MS RN C(inc) - 1993 - 224 pages
...the King to bring out a hidden truth. Hamlet indeed uses the same mirror image later with his mother: "You go not till I set you up a glass / Where you may see the inmost part of you" (III, 4, 18-19). In the Renaissance, the glass was a symbol that reached behind the visible, and so...
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Rewriting Shakespeare, Rewriting Ourselves

Peter Erickson - 1991 - 228 pages
...closet scene. The purpose of his playing there is to present Gertrude with her own image as scorn: "You go not till I set you up a glass / Where you may see the inmost part of you" (3.4.18-19). Gertrude signals her reception of Hamlet's message: "Thou rurn'st my eyes into my very...
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Shakespeare's World of Death: The Early Tragedies

Richard Courtney - 1995 - 268 pages
...to you that can speak. (9-18) She rises but is flung back in her chair again and so menaced by his: You shall not budge. You go not till I set you up a glass Where you may see the inmost part of you (19-21) that she cries aloud for help. Polonius echoes her cry. Instantly Hamlet draws his sword and...
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Strategies of Deviance: Studies in Gay Male Representation

Earl Jackson, Jr. - 1995 - 336 pages
...consequences and possibilities. Death Drives across Pornotopia: Dennis Cooper on the Extremities of Being You go not till I set you up a glass Where you may see the inmost part of you. — Hamlet 3.5.19-20 Perhaps our true sexual act consists in this: in verifying to the point of giddiness...
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Hamlet

William Shakespeare, Russell Jackson - 1996 - 208 pages
...door, he grabs her in an instant and pulls her down onto a chair. HAMLET Come, come, and sit you down. You shall not budge. You go not till I set you up a glass Where you may see the inmost part of you. GERTRUDE lVhat wilt thou do? Thou wilt not murder me? Help, ho! POLONIUS (behind the drapes) What ho!...
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Lacan, Politics, Aesthetics: The First Complete English Translation, with ...

Willy Apollon, Richard Feldstein - 1996 - 341 pages
...soul, consent!" 184 Literary Representation Then, to his mother he says: "Come, come, and sit you down; you shall not budge; You go not till I set you up a glass Where you may see the inmost part of you" (act III, scene IV). He decides to lecture her and to thereby try to bring her back into the fold....
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The Incorporated Self: Interdisciplinary Perspectives on Embodiment

Michael O'Donovan-Anderson - 1996 - 165 pages
...Hamlet is insistent about this wish to fashion a mother whose heart consists of "penetrable stuff: "You go not till I set you up a glass / Where you may see the inmost part of you" (11.18-19). (Hamlet's rather convoluted syntax here — "I set you up a glass" — leaves open the...
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The Unmasking of Drama: Contested Representation in Shakespeare's Tragedies

Jonathan Baldo - 1996 - 213 pages
...rhapsody of words" (3.4.47-48). While Polonius hears, Gertrude will be made to see with a vengeance: "You go not till I set you up a glass/ Where you may see the inmost part of you" (3.4.18-19). It is the eye that must intervene, establish its sovereignty over the other senses, and...
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Struggling for Wings: The Art of James Dickey

Robert Kirschten - 1997 - 276 pages
...Campbell, Hero uith a Thousand I -aces. 30. 38. William Shakespeare, Hamlet, act 3, scene 4, line 20: "You go not till I set you up a glass / Where you may see the inmost part of you." 39. CG Jung, The .\rchetypes und the Collective Unconscious, Collected \\orks, vol. 9, pt. I, I.3I....
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