His gardens next your admiration call; On every side you look, behold the wall! No pleasing intricacies intervene, No artful wildness to perplex the scene ; Grove nods at grove, each alley has a brother, And half the platform just reflects the other. London, by David Hughson - Page 418by Edward Pugh - 1809Full view - About this book
| Elizabeth Stone - 1845 - 472 pages
...the formal style which, borrowed from France, was considered then the thing — " When grove nods at grove, each alley has a brother, And half the platform just reflects the other." We read of much more magnificent gardens at an earlier period ; those at Theobald's must have been... | |
| Leigh Hunt - 1846 - 416 pages
...wall '. No pleasing intricacies intervene, No artful wildness to perplex the scene ; Grove nods at grove, each alley has a brother, And half the platform just reflects the other. The suffering eye inverted nature sees, Trees cut to statues, statues thick as trees ; With here a... | |
| Leigh Hunt - 1846 - 282 pages
...the wall ! No pleasing intricacies intervene, No artful wildness to perplex the scene ; Grove nods at grove, each alley has a brother, And half the platform just reflects the other The suffering eye inverted nature sees, Trees cut to statues, statues thick as trees ; With here a... | |
| Alexander Pope - 1847 - 524 pages
...Joshua Reynolds always defended against the common cant of its being heavy.— Warton. L_ Grove nods at grove, each alley has a brother, And half the platform just reflects the other. The suffering eye inverted Nature sees, Trees cut to statues, statues thick as trees; 120 With here... | |
| Alexander Pope, William Charles Macready - 1849 - 646 pages
...the wall ! No pleasing intricacies intervene, No artful wildness to perplex the scene ; Grove nods at grove, each alley has a brother, And half the platform just reflects the other. The suffering eye inverted nature sees, Trees cut to statues, statues thick as trees ; With here a... | |
| 1851 - 496 pages
...the wall! No pleasing intricacies intervene, No artful wildness, to perplex the scene; Grove node at grove, each alley has a brother, And half the platform just reflects the other; The Buffering eye inverted Nature sees, Trees cut to statues, statues thick as trees !" At one end... | |
| 1852 - 874 pages
...the wall ! No pleasing intricacies intervene, No artful wildness to perplex the scene ; Grove nods at !9 G * The suffering eye inverted Nature sees, Trees cut to statues, statues thick as trees ; With here a... | |
| James Hall - 1853 - 448 pages
...where 'i No pleasing intricacies intervene, No artful wiidness to perplex the scene, Grove nods at grove, each alley has a brother, And half the platform just reflects the other." This neighbourhood being secluded, and distant from the seaboard, fashions, coming with a tardy step... | |
| Alexander Pope - 1854 - 338 pages
...wall ! No pleasing intricacies intervene, 115 No artful wildness to perplex the scene: Grove nods at grove, each alley has a brother, And half the platform just reflects the other. The suffering eye inverted Nature sees, Trees cut to statues, statues thick as trees ; 120 With here... | |
| Where - 1855 - 86 pages
...book ii. MILTON. God made the country, and man made the town.3 Sofa — Task. COWPER. Grove nods at grove, each alley has a brother, And half the platform just reflects the other. Fourth Moral Essay. POPE. 1 The lustre in your eye, heaven in your cheek. Troilus and Cressida, act... | |
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