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" What's Hecuba to him, or he to Hecuba, That he should weep for her/ What would he do, Had he the motive and the cue for passion That I have... "
The Plays of William Shakspeare. In Fifteen Volumes: Hamlet. Othello - Page 148
by William Shakespeare - 1793
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The Aesthetic Contract: Statutes of Art and Intellectual Work in Modernity

Henry Sussman - 1997 - 319 pages
...his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech,...
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Moses Mendelssohn: Philosophical Writings

Mendelssohn Moses, Moses Mendelssohn - 1997 - 321 pages
...his conceit? and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? . . . - Hamlet, Act II, Scene n What a masterstroke! Experience teaches that dejected...
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Shakespeare Among the Moderns

Richard Halpern - 1997 - 294 pages
...his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech,...
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John Barrymore, Shakespearean Actor

Michael A. Morrison - 1997 - 418 pages
...What's Hecuba to him, or he to Hecuba,/ That he should weep (drawn out) for her (downward emphasis)? What would he do,/ Had he the motive and the cue for passion/ That /have (downward emphasis)? He would drown the stagewith tears (drawn out)/ And cleave...
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Great Scenes and Monologues for Actors

Michael Schulman, Eva Mekler - 1998 - 330 pages
...his conceit? and all for nothing! For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do, Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech,...
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Footnotes: Six Choreographers Inscribe the Page

Elena Alexander, Douglas Dunn, Marjorie Gamso, Jill Johnston, Ishmael Houston-Jones, Kenneth King, Yvonne Meier, Sarah Skaggs - 1998 - 169 pages
...plundered was her last remaining child, her daughter Cassandra, he might have an emoThat he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech,...
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Shakespeare and the Literary Tradition

Stephen Orgel, Sean Keilen - 1999 - 344 pages
...his conceit? And all for nothing, For Hecuba! What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? [2.2.534-46] Hamlet makes the point that dances before us in every scene. Dramatic,...
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Marcus is Walking

Joan Ackermann - 1999 - 53 pages
...thee, get thee. (Sinks back into character.) What's Hecuba to him, or he to Hecuba, That he should weep for her? What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech...
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Bound to Act: Models of Action, Dramas of Inaction

Valeria Wagner - 1999 - 275 pages
...the "time" that is "out of ^Hamlet is here taking the place of the player in H.ii, of whom he says: What would he do Had he the motive and the cue for passion That I have? He would drown the stage with tears And cleave the general ear with horrid speech,...
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Author's Pen and Actor's Voice: Playing and Writing in Shakespeare's Theatre

Robert Weimann - 2000 - 298 pages
...of this speech, the speaker's awareness of play and the reference to the (First) Player looms large. What would he do Had he the motive and [the cue] for passion That I have? He would drown the stage with tears, And cleave the general ear with horrid speech...
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