 | Edward Gibbon - 1837 - 878 pages
...numerous assemblies. I hesitate, from the apprehension of ridicule, when I approach the delicate subject of my early love. By this word I do not mean the polite attention, the gallantry, without hope or design, which has originated in the spirit of chivalry, and is interwoven with the texture of French... | |
 | Edward Gibbon - 1837 - 1164 pages
...numerous assemblies. I hesitate, from the apprehension of ridicule, when I approach the cielk-ate subject of my early love. By this word I do not mean the /xJite attention, the gallantry, without hope or design, which lias originated in the spirit of chivalry,... | |
 | Edward Gibbon, Henry Hart Milman - 1839 - 486 pages
...numerous assemblies. I hesitate, from the apprehension of ridicule, when I approach the delicate subject of my early love. By this word I do not mean the polite attention, the gallantry, without hope or design, which has originated in the spirit of chivalry, and is interwoven with the texture of French... | |
 | Edward Gibbon, Henry Hart Milman - 1840 - 382 pages
...numerous assemblies. I hesitate, from the apprehension of ridicule, when I approach the delicate subject of my early love. By this word I do not mean the polite attention, the gallantry, without hope or design, which has originated in the spirit of chivalry, and is interwoven with the texture of French... | |
 | Edward Gibbon, Henry Hart Milman - 1840 - 390 pages
...numerous assemblies. I hesitate, from the apprehension of ridicule, when I approach the delicate subject of my early love. By this word I do not mean the polite attention, the gallantry, without hope or design, which has originated in the spirit of chivalry, and is interwoven with the texture of French... | |
 | Edward Gibbon, Henry Hart Milman - 1840 - 396 pages
...hesitate, from the apprehension of ridicule, when I approach the delicate subject of my early love, l>y this word I do not mean the polite attention, the gallantry, without hope or design, which has originated in the spirit of chivalry, and is interwoven with the texture of French... | |
 | Edward Gibbon - 1846 - 458 pages
...MADAME NECKER. I hesitate, from the apprehension of ridicule, when I approach the delicate subject of my early love. By this word I do not mean the polite attention, the gallantry, without hope or design, which has originated in the spirit of chivalry, and is interwoven with the texture of French... | |
 | Edward Gibbon - 1846 - 406 pages
...MADAME NECKER. I hesitate, from the apprehension of ridicule, when I approach the delicate subject of my early love. By this word I do not mean the polite attention, the gallantry, without hope or design, which has originated in the spirit of chivalry, and is interwoven with the texture of French... | |
 | Edward Gibbon - 1854 - 556 pages
...numerous assemblies. I hesitate, from the apprehension of ridicule, when I approach the delicate subject of my early love. By this word I do not mean the polite attention, the gallantry, without hope or design, which has originated in the spirit of chivalry, and is interwoven with the texture of French... | |
 | Charles Dexter Cleveland - 1848 - 786 pages
...HIS FIRST LOVE. I hesitate, from the apprehension of ridicule, when I approach the delicate subject of my early love. By this word I do not mean the polite attention, the gallantry, without hope or design, which has originated in the spirit of chivalry, and is interwoven with the texture of French... | |
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I hesitate, from the apprehension of ridicule, when I approach the delicate subject of my early love. By this word I do not mean the polite attention, the gallantry, without hope or design, which has originated in the spirit of chivalry, and is interwoven... 
