 | 1999 - 604 pages
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 | Howard Anderson - 1967 - 429 pages
...man who, with an ingratiating shrug, grins at the spectator mischievously, and seems to be saying: "How happy could I be with either, Were t'other dear charmer away!" Capturing that force of expression which made Garrick unique is what makes Reynolds unique. One need... | |
 | Paul A. Shackel - 2000 - 232 pages
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 | John Keane - 2008 - 544 pages
...and Lucy subsequently do battle for the affection of the swashbuckling Macheath, who shows no remorse ('How happy could I be with either, Were t'other dear charmer away!') as he makes his escape from prison. Havel's emplotment of The Beggar's Opera runs a different course.... | |
 | Nicholas Rescher - 2001 - 164 pages
...sort of loss. We must acknowledge the deep and wide truth of John Gay's couplet in the Beggar's Opera: How happy could I be with either? Were t'other dear charmer away! We cannot escape the exclusionary nature of choice—to opt for more of our desideratum is ipso facto... | |
 | 2001 - 838 pages
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How happy could I be with either, Were t'other dear Charmer away! 
