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" tis too horrible ! The weariest and most loathed worldly life, That age, ache, penury, and imprisonment Can lay on nature, is a paradise To what we fear of death. "
Essays, Biographical, Critical, and Historical: Illustrative of the Rambler ... - Page 301
by Nathan Drake - 1809 - 499 pages
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The Knickerbocker: Or, New-York Monthly Magazine, Volume 10

Charles Fenno Hoffman, Lewis Gaylord Clark, Timothy Flint, Kinahan Cornwallis, John Holmes Agnew - 1837
...THOUGHTS ON FCNERALS, "TĦa too horrible! The weariest and most loathed worldly life That age, ache, penury, and imprisonment Can lay on nature, is a paradise To what we fear of death !' SHAKSPEARE. IN my morning walk in the country, the other day, a common poorhouse hearse passed me....
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Illustrations of Human Life, Volume 3

Robert Plumer Ward - 1837
...crimes unwhipp'd of justice.' " ' The weariest and most loathed worldly life That age, acts, penury or imprisonment Can lay on nature, is a paradise To what we fear in death.' bles are come about me ; my sins have taken such hold of me, that I am not able to look...
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Complete Works: With Dr. Johnson's Preface, a Glossary, and an Account of ...

William Shakespeare - 1838 - 926 pages
...round about The pendent world ; or to be worse than worst Of those, that lawless and incertain thoughts could speak, from an infant, freely, That it was yo Isab. Alas ! alas ! Claud. Sweet sister, let me live : What sin you do to save a brother's life. Nature...
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Eyes of Love: The Gaze in English and French Paintings and Novels, 1840-1900

Stephen Kern - 1996 - 283 pages
...we know not where: 'Tis too horrible! The weariest, and most loathed worldly life, That age, ache, penury, and imprisonment Can lay on nature, is a paradise To what we fear of death. 31 Joseph A. Kestner provides compelling evidence that Leighton was sexually suppressed and homoerotic...
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Shakespeare's Other Lives: An Anthology of Fictional Depictions of the Bard

Maurice O'Sullivan - 1997 - 223 pages
...thoughts Imagine howling: 'tis too horrible! The weariest and most loathed worldly life That age, ache, penury and imprisonment Can lay on nature is a paradise To what We fear of death. A young fool in a dungeon whining out That his dear body, which is all he knows, Having no hint of...
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Duologues for All Accents and Ages

Eamonn Jones, Jean Marlow - 2002 - 166 pages
...thought Imagine howling - 'tis too horrible. The weariest and most loathed worldly life That age, ache, penury, and imprisonment, Can lay on nature is a paradise To what we fear of death. ISABELLA Alas, alas! CLAUDIO Sweet sister, let me live. What sin you do to save a brother's life, Nature...
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Famous Lines: A Columbia Dictionary of Familiar Quotations

Robert Andrews - 1997 - 625 pages
...thought Imagine howling — 'tis too horrible! The weariest and most loath'd worldly life That age, ache, penury, and imprisonment Can lay on nature is a paradise To what we fear of death. WILLIAM SHAKESPEARE, (1564-1616) British dramatist, poet. Claudio, in Measure for Measure, act 3, sc.1,...
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Coming of Age in Shakespeare

Marjorie B. Garber - 1997 - 248 pages
...losses'.7 Tis too horrible!' he exclaims, The weariest and most loathed worldly life / That age, ache, penury, and imprisonment / Can lay on nature is a paradise / To what we fear of death' (127-31). At last the 'friar' intervenes once more, to dispel all hope: Tomorrow you must die' (168),...
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Loss, Bereavement and Grief: A Guide to Effective Caring

Bob Spall, Stephen Callis - 1997 - 198 pages
...practice? Thinking about our own death 6 The weariest and most loathed worldly life That age, ache, penury and imprisonment Can lay on nature, is a paradise To what we fear of death. William Shakespeare: Measure for Measure Act III Scene 1 The meanings we assign to death help shape...
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On Measure for Measure: An Essay in Criticism of Shakespeare's Drama

Lawrence J. Ross - 1997 - 182 pages
...what he fears of death but of what we do. The weariest and most loathed worldly life That age, ache, penury and imprisonment Can lay on nature, is a paradise To what we fear of death. (128-31) The first move of the dialogue affirms that the opening statement of the scene in the Friar's...
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