 | Thomas King Greenbank - 1849 - 446 pages
...justice, In fair round belly, with good capon lined, With eyes severe, and beard of formal cut, Full of wise saws and modern instances : And so he plays his...voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness,... | |
 | William Shakespeare - 1849 - 952 pages
...belly, with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern1 to play at will : — How sav'd, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish... | |
 | William Shakespeare - 2000 - 60 pages
...saws, and modern instances. And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose and pouch on side,...voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness... | |
 | Karl Erik Rosengren - 2000 - 244 pages
...justice, In fair round belly with good capon lin'd, With eyes severe, and beard of formal cut, Full of wise saws and modern instances; And so he plays his...on nose and pouch on side, His youthful hose well sav'd, a world too wide For his shrunk shank: and his big manly voice, Turning again toward childish... | |
 | Carol Rawlings Miller - 2001 - 84 pages
...justice, In fair round belly with good capon lined, With eyes severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his...voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness... | |
 | Michael Brogden - 2001 - 226 pages
...recognised that the later years of life were a problem if prolonged indefinitely: The sixth age shifts 1nto the lean and slipper'd pantaloon, With spectacles...voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, 1s second childishness... | |
 | Frances Mayes - 2001 - 548 pages
...saws and modern instances; And so he plays his part. The sixth age shifts Into the lean and slippered pantaloon, With spectacles on nose, and pouch on side;...voice, Turning again toward childish treble, pipes And whistles in his sound. Last scene of all, That ends this strange eventful history, Is second childishness... | |
 | Alec Reed - 2001 - 168 pages
...justice, In fair round belly with good capon lin'd, With eye severe and beard of formal cut, Full of wise saws and modern instances; And so he plays his...on nose and pouch on side, His youthful hose, well sav'd, a world too wide For his shrunk shank; and his big manly voice, Turning again toward childish... | |
 | Harold Bloom - 2001 - 750 pages
.../ In fair round belly with good capon lin'd, / With eyes severe, and beard of formal cut, / Full of wise saws, and modern instances, /And so he plays...nose, and pouch on side, / His youthful hose well sav'd, a world too wide / For his shrunk shank, and his big manly voice, /Turning again toward childish... | |
 | Stephen Curtis, Martin Manser - 2000 - 292 pages
...severe and beard of formal cut, full of wise saws and modern instances'. (6) the lean and slippered pantaloon 'with spectacles on nose and pouch on side,...shrunk shank, and his big manly voice turning again towards childish treble pipes'. (7) second childishness 'sans eyes, sans teeth, sans taste, sans everything'.... | |
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The sixth age shifts Into the lean and slipper'd pantaloon, With spectacles on nose and pouch on side, His youthful hose, well saved, a world too wide For his shrunk shank ; and his big manly voice, Turning again toward childish treble, pipes And whistles... 
