 | Stanford M. Lyman, Marvin B. Scott - 1989 - 264 pages
...general qualities appropriate to Machiavelli's and modern society: Why I can smile, and murder whiles I smile, And cry "Content" to that which grieves my...And wet my cheeks with artificial tears, And frame my face to all occasions.... I'll play the orator as well as Nestor, Deceive more slily than Ulysses... | |
 | Ronald L. Dotterer - 1989 - 252 pages
...discourse as primarily a stage for displays of personal perversity: Why, I can smile, and murder whiles I smile, And cry "Content!" to that which grieves...And wet my cheeks with artificial tears, And frame my face to all occasions. (Part 3. 3.2.182-85) Language is merely a wardrobe from which Richard can... | |
 | Jerry Blunt - 1990 - 232 pages
...that bears this head Be round impaled with a glorious crown, ... Why, I can smile, and murther whiles I smile, And cry, "Content," to that which grieves...And wet my cheeks with artificial tears, And frame my face to all occasions. I'll drown more sailors than the mermaid shall; I'll slay more gazers than... | |
 | Gary Schmidgall - 1990 - 256 pages
...speaks like another Clinias when he vaunts his actor's talent: "Why, I can smile, and murther whiles I smile, / And cry "Content" to that which grieves...And wet my cheeks with artificial tears, / And frame my face to all occasions" (3H6 3.2.182-85). His cohort in the next play of the tetralogy, Buckingham,... | |
 | Christopher Marlowe - 1995 - 388 pages
...Gloucester's gleeful fantasy of wickedness also has a Marlovian ring: Why, I can smile, and murder whiles I smile, And cry 'Content' to that which grieves my...And wet my cheeks with artificial tears, And frame my face to all occasions. I can add colours to the chameleon, Change shapes with Proteus for advantages,... | |
 | Katharine Eisaman Maus - 1995 - 240 pages
...learn of him. In relation to the other characters, he exploits the invisibility of his own interior. Why, I can smile, and murder while I smile, And cry...And wet my cheeks with artificial tears, And frame my face to all occasions. I'll drown more sailors than the mermaid shall; I'll slay more gazers than... | |
 | Dennis Todd - 1995 - 364 pages
...my naked villany," says Richard, "And seem a saint, when most I play the devil": Why, I can sm1le, and murder while I smile, And cry "Content!" to that which grieves my heart, And wet my cheeks with artif1cial tears, And frame my face to all occasions. 28 When Richard is pictured as (merely) a "diffus'd... | |
 | Shirley Nelson Garner, Madelon Sprengnether - 1996 - 346 pages
...terms that Renaissance writers typically used to describe actors: Why, I can smile, and murther whiles I smile, And cry "Content" to that which grieves my...And wet my cheeks with artificial tears, And frame my face to all occasions. I can add colors to the chameleon, Change shapes with Proteus for advantages,... | |
 | William Shakespeare - 1996 - 1290 pages
...torment I will free myself, Or hew my way out with a bloody axe. Why, I can smile, and murder whiles think'st 3 my face to all occasions: I'll drown more sailors than the mermaid shall; I'll slay more gazers than... | |
 | Stanley Wells - 1997 - 438 pages
...he claims, lies in his total self-control; he is the master actor who can smile, and murder whiles I smile, And cry 'Content!' to that which grieves...And wet my cheeks with artificial tears, And frame my face to all occasions. I can add colours to the chameleon, Change shapes with Proteus for advantages,... | |
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I smile, And cry, content, to that which grieves my heart, And wet my cheeks with artificial tears, And frame my face to all occasions. 
