...coal.'1 Joyce spielt damit auf eine Stelle in Shelleys A Defence of Poetry an, wo es heißt: [...] the mind in creation is as a fading coal which some...brightness: this power arises from within, like the colour of a flower which fades and changes as it is developed, and the conscious portions of our natures...

...Joyce's favorite image of aesthetic arrest was from Shelly in his Defence of Poetry — the mind becomes a "... fading coal, which some invisible influence,...inconstant wind, awakens to transitory brightness . . . ." By the image of the reddening coals, Joyce signifies Bloom's compassion and that Bloom's spiritual...

...of the Poet.8 Kein Dichter kann sagen: „I will compose poetry", „for the mind in creation is äs a fading coal which some invisible influence, like an inconstant wind, awakens to transitory brightness".9 Auch Shelley greift in eigentlich allen Texten auf eine Naturmetaphorik - wie den „inconstant...

...like reasoning, a power to be exerted according to the determination of the will. A man cannot say, 'I will compose poetry.' The greatest poet even cannot...brightness: this power arises from within, like the colour of a flower which fades and changes as it is developed, and the conscious portions of our natures...

...there lies unspoken the idea that in their withdrawal they may expose the subject to imaginative death: The mind in creation is as a fading coal which some...brightness; this power arises from within like the colour of a flower which fades and changes as it is developed and the conscious portions of our natures...

...cannot say, 'I will compose poetry'». Ni los poetas más grandes lo han podido decir, «for the mindin creation is as a fading coal which some invisible...awakens to transitory brightness; this power arises from within».67 Blake había escrito que quien creyera que el genio se adquiría era un tonto;68 Coleridge...

...will. A man cannot say, 'I will compose poetry.' The greatest poet even cannot say it: for the mind is as a fading coal which some invisible influence,...inconstant wind, awakens to transitory brightness . . . and the conscious portions of our natures are unprophetic either of its approach or its departure"...

...reasoning, a power to be exerted according to the determination of the will. A man cannot say, „I will compose poetry." The greatest poet even cannot...brightness: this power arises from within, like the colour of a flower which fades and changes as it is developed, and the conscious portions of our natures...

...unconscious in the work of the Romantics, for example, in Shelley's The Defence of Poetry, where he says that "the mind in creation is as a fading coal which some...brightness; this power arises from within, like the colour of a flower which fades and changes as it is developed, and the conscious portions of our natures...

...against willing oneself to write a poem. As he argues, using imagery redolent of Platonic discourse, "the mind in creation is as a fading coal which some...inconstant wind, awakens to transitory brightness" (503-4). The speaker's "Ashes and sparks" may sputter toward extinction, as well as toward dematerialization,...