| Leslie O'Dell - 2002 - 442 pages
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| Piero Boitani - 2002 - 176 pages
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| Millicent Bell - 2002 - 316 pages
...afterlife, his of hell, hers of heaven, in the wonderful lines, You do me wrong to take me out o' the grave. Thou art a soul in bliss, but I am bound Upon...fire that mine own tears Do scald like molten lead. She asks him, "Sir, do you know me?" He says, as he has said before, "I am a very foolish, fond old... | |
| Stanley Wells - 2003 - 494 pages
...of the method comes in King Lear. Lear's reunion with Cordelia (4.6) is heralded by a mighty image: Thou art a soul in bliss, but I am bound Upon a wheel...fire, that mine own tears Do scald like molten lead. But after that the episode is sustained by a succession of entirely plain, largely monosyllabic phrases:... | |
| Leslie O'Dell - 2002 - 442 pages
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| Allardyce Nicoll - 2002 - 204 pages
...interpretation of what he sees, an interpretation at once morally true and factually 'still, still, far wide': 'Thou art a soul in bliss; but I am bound/ Upon a wheel of fire, that mine own tears / Do scald.' Indeed, throughout this scene, the language taken line by line or speech by speech resists attempts... | |
| Oliver Ford Davies - 2003 - 224 pages
...person (as people in hospital after a breakdown sometimes are). You do me wrong to take me out o' the grave. Thou art a soul in bliss, but I am bound Upon...fire, that mine own tears Do scald like molten lead. Is he really angry that he's been taken out of the grave? Is he still on a 'wheel of fire'? How perceptive... | |
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