 It ought, in my opinion, to be indispensably observed, that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish- white ; and that the blue, the grey, or the green colours be kept almost entirely out of these...  Monthly Review; Or New Literary Journal - Page 17edited by - 1780Full view - About this book
 | Henry Duff Traill, James Saumarez Mann - 1904 - 948 pages
...that the masses of light in a picture be always of a warm, mellow colour, yellow, red, or a yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours." The... | |
 | Sir Walter Armstrong - 1904 - 422 pages
...that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and... | |
 | William Biggs Boulton - 1905 - 482 pages
...that the masses of light in a picture be always of a warm mellow colour, yellow, red, or yellowish white, and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and,... | |
 | Sir Joshua Reynolds - 1905 - 564 pages
...masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish-white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and... | |
 | Edwin John Ellis - 1907 - 500 pages
...that the masses of light in a picture be always of a warm mellow colour — yellow, red, or yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and used only to support and set off these warm colours, and for... | |
 | Edwin John Ellis - 1907 - 500 pages
...that the masses of light in a picture be always of a warm mellow colour — yellow, red, or yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and used only to support and set off these warm colours, and for... | |
 | Martin Hardie - 1908 - 496 pages
...that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish -white ; and that the blue, the grey, or the green colours be kept entirely out of these masses, and be used only to support and set off those warm colours." To search... | |
 | Francis Downman - 1908 - 380 pages
...the masses of light in a picture be always of a warm, mellow colour — yellow, red, or a yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and... | |
 | Sir Joshua Reynolds - 1909 - 518 pages
...masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish-white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; anc... | |
 | William Blake - 1966 - 964 pages
...that the masses of light in a picture be always of warm mellow colour, yellow, red, or a yellowish- white, and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; .... | |
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