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" It ought, in my opinion, to be indispensably observed, that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish- white ; and that the blue, the grey, or the green colours be kept almost entirely out of these... "
The Monthly Review - Page 17
1780
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Social England: A Record of the Progress of the People in Religion ..., Volume 5

Henry Duff Traill, James Saumarez Mann - 1904
...that the masses of light in a picture be always of a warm, mellow colour, yellow, red, or a yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours." The...
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Gainsborough and His Place in English Art

Sir Walter Armstrong - 1904 - 297 pages
...that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and...
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Thomas Gainsborough: His Life, Work, Friends, and Sitters

William Biggs Boulton - 1905 - 336 pages
...that the masses of light in a picture be always of a warm mellow colour, yellow, red, or yellowish white, and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and,...
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Discourses Delivered to the Students of the Royal Academy

Sir Joshua Reynolds - 1905 - 445 pages
...masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish-white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and...
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The Real Blake: A Portrait Biography

Edwin John Ellis - 1907 - 443 pages
...that the masses of light in a picture be always of a warm mellow colour — yellow, red, or yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and used only to support and set off these warm colours, and for...
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The Real Blake: A Portrait Biography

Edwin John Ellis - 1907 - 443 pages
...that the masses of light in a picture be always of a warm mellow colour — yellow, red, or yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and used only to support and set off these warm colours, and for...
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John Pettie, R.A., H.R.S.A.

Martin Hardie - 1908 - 278 pages
...that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish -white ; and that the blue, the grey, or the green colours be kept entirely out of these masses, and be used only to support and set off those warm colours." To search...
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Great English Painters

Francis Downman - 1908 - 294 pages
...the masses of light in a picture be always of a warm, mellow colour — yellow, red, or a yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and...
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Complete Writings: With Variant Readings

William Blake - 1966 - 944 pages
...that the masses of light in a picture be always of warm mellow colour, yellow, red, or a yellowish- white, and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; ....
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The Works of William Blake, Volume 2

William Blake, Edwin John Ellis, William Butler Yeats - 1893 - 435 pages
...that the masses of light in a picture be always of a warm mellow colour — yellow, red, or yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and used only to support and set off these warm colours, and for...
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