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" It ought, in my opinion, to be indispensably observed, that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish- white ; and that the blue, the grey, or the green colours be kept almost entirely out of these... "
Monthly Review; Or New Literary Journal - Page 17
edited by - 1780
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The Discourses of Sir Joshua Reynolds

Sir Joshua Reynolds - 1842 - 318 pages
...masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish-white; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours; and...
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Blackwood's Edinburgh Magazine, Volume 53

1843 - 1278 pages
...observed, that the masses of light in a picture be always of a warm mellow colour, yellow red or yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and...
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The Literary Works of Sir Joshua Reynolds: ... to which is ..., Volume 1

Sir Joshua Reynolds, Henry William Beechey, Thomas Gray, Charles-Alphonse Dufresnoy, William Mason - 1852 - 518 pages
...that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish- white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and...
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Rise and Progress of Painting

Edmund Edward Antrobus - 1862 - 216 pages
...masses of light in a picture be always of a warm mellow colour, yellow, red, or a I yellowish-white, and that the blue, the grey, or the green colours be kept always entirely out of these masses, and be used only to support and set off these warm colours, and...
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Life and Times of Sir Joshua Reynolds: With Notices of Some of His ..., Volume 2

Charles Robert Leslie, Tom Taylor - 1865 - 676 pages
...that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and...
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The Discourses

Sir Joshua Reynolds - 1887 - 330 pages
...that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish- white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and...
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The Discourses

Sir Joshua Reynolds - 1887 - 332 pages
...that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish- white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and...
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Sir Joshua Reynolds

Sir Claude Phillips - 1894 - 474 pages
...masses of light in a picture be always of a warm, mellow colour ; yellow, red, or a yellowish-white ; and that the blue, the grey, or the green colours be kept entirely out of these masses, and be used only to support and set off these warm colours." It has been...
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Thomas Gainsborough

Lord Ronald Sutherland Gower, Thomas Gainsborough - 1903 - 370 pages
...that the masses of light in a picture be always of a warm, mellow colour, yellow, red, or a yellowish white, and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support or set off these warm colours; and...
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Gainsborough and His Place in English Art

Sir Walter Armstrong - 1904 - 404 pages
...that the masses of light in a picture be always of a warm mellow colour, yellow, red, or a yellowish white ; and that the blue, the grey, or the green colours be kept almost entirely out of these masses, and be used only to support and set off these warm colours ; and...
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