| Kaja Silverman - 2000 - 196 pages
...future. He sees the future tense out of the perfect. — Martin Heidegger, "The Anaximander Fragment" Be not afeard; the isle is full of noises, Sounds,...instruments Will hum about mine ears, and sometimes voices That, if I then had waked after long sleep, Will make me sleep again; and then in dreaming, The clouds... | |
| David Philip Reiter - 2000 - 146 pages
...pen paper and ink and God said they had to work with those forever—bad mistake we made that day! Be not afeard, the isle is full of noises, Sounds,...instruments Will hum about mine ears; and sometimes voices That if I then had wak'd after long sleep Will make me sleep again, and then in dreaming, The clouds... | |
| Robert S. Miola - 2000 - 206 pages
...however, lies in his poetry, particularly in the lyrical evocations of the island's sights and sounds: Be not afeard. The isle is full of noises, Sounds,...twangling instruments Will hum about mine ears, and sometime voices That if I then had waked after long sleep Will make me sleep again; and then in dreaming... | |
| Christopher Pye - 2000 - 220 pages
...touchstone for critics who have understood subjectivity as an effect of cultural and material inscription: Be not afeard, the isle is full of noises, Sounds,...twangling instruments Will hum about mine ears; and sometime voices, That if I then had wak'd after long sleep, Will make me sleep again, and then in dreaming,... | |
| Peter Hulme - 2000 - 344 pages
...echoed in the shape of his exposed navel and in the shape of the aperture made by his clenched hand. Be not afeard, the isle is full of noises, Sounds,...twangling instruments Will hum about mine ears; and sometime voices, That if I then had wak'd after long sleep, Will make me sleep again . . . (Ill.ii.... | |
| Leo Marx - 2000 - 428 pages
...forces of disorder. Even Caliban, as readers often note, responds to the melodious atmosphere: . . . the isle is full of noises, Sounds and sweet airs,...instruments Will hum about mine ears; and sometimes voices . . . Caliban's bestiality, the equivalent within human nature of the untamed elements without, is... | |
| John Xiros Cooper - 2000 - 378 pages
...Tempest island, so music transforms this garden into a place of enchantment. In Caliban's words, ... the isle is full of noises Sounds and sweet airs,...instruments Will hum about mine ears; and sometimes voices (III, ii, 132-35) Shakespeare's sweet and delightful music is the avatar of Prospero's "charms." In... | |
| Michael H. Riley - 2000 - 286 pages
...play his music' . . . the music of the spheres . . . airwaves and the written word . . . Be not aferd; the isle is full of noises, Sounds and sweet airs...instruments Will hum about mine ears; and sometimes voices That, if I then had waked after long sleep, Will make me sleep again; and then, in dreaming, The clouds... | |
| Bill Ashcroft - 2001 - 177 pages
...domination of Prospero's Art or language, is elaborated later when Trinculo and Stephano hear Ariel's music: Be not afeard; the isle is full of noises, Sounds...instruments Will hum about mine ears; and sometimes voices, That, if I then had wak'd after long sleep, Will make me sleep again; and then, in dreaming, The clouds... | |
| Maria Cristina Fumagalli - 2001 - 332 pages
..."the island is full," besides, contain a Shakespearean echo, recalling Caliban's words in The Tempest. Be not afeard; the isle is full of noises, Sounds,...instruments Will hum about mine ears: and sometimes voices, That, if I then had wak'd after long sleep, Will make me sleep again: and then, in dreaming, The clouds... | |
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