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" I'll leave you till night; you are welcome to Elsinore. Ros. Good my lord ! [Exeunt Rosencrantz and Giiildenstern. Ham. Ay, so, God be wi' ye :—Now I am alone. O, what a rogue and 'peasant slave am I ! Is it not monstrous that this player here, But... "
The works of Shakespear [ed. by H. Blair], in which the beauties observed by ... - Page 125
by William Shakespeare - 1771
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The New American Speaker: A Collection of Oratorical and Dramatical Pieces ...

John Celivergos Zachos - 1851 - 570 pages
...8HAK8PKARB HAMLET ON HIS OWN IRRESOLUTION. • OH, what a rogue and peasant slave am I ! Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That from her working, all his visage wann'd ;...
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The Works of William Shakspeare, Volume 4

William Shakespeare - 1852 - 570 pages
...God be wi' you : — Now I am alone. O, what a rogue, and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion. Could force his Soul to his own conceit, That, from her working, all his visage wann'd ; *...
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Guy's new speaker, selections of poetry and prose from the best writers in ...

Joseph Guy - 1852 - 458 pages
...ACTOR'S FEIGNED, WITH HIS OWN REAL, SORROW. O, WHAT a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his whole conceit. That from her working all his visage warm'd...
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The plays of Shakspere, carefully revised [by J.O.] with ..., Part 166, Volume 1

William Shakespeare - 1853 - 746 pages
...so, God be wi' you.— Now I am alone. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That from her working, all his visage wanned ;...
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School elocution : or The young academical orator

William Herbert - 1853 - 234 pages
...HAMLET ON HIS SUPPOSED UNFEELINGNESS. O, what a rogue and peasant slave am I ! Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That from her working, all his visage warn'd,...
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The Life and Beauties of Shakespeare: Comprising Careful Selections from ...

William Shakespeare - 1853 - 420 pages
...REFLECTIONS on THE PLAYER AND HIMSELF. O, what a rogue and peasant slave am I ' Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul to "his own conceit. That from her working, all his visage wann'd; Tears...
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Notes and Queries

1855 - 1080 pages
...remember to have seen the word wanned used, except in Hamlet, Act I. Sc. 2. : " Is it not monstrous, that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit, That from her working all his visage wanned."...
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Gender and Literacy on Stage in Early Modern England

Eve Rachele Sanders - 1998 - 288 pages
...feeling, Aeneas' grief and rage in recounting the bloody murder and its aftermath: Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit . . . Yeti, A dull and muddy-mettled rascal, peak...
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Footnotes: Six Choreographers Inscribe the Page

Elena Alexander, Douglas Dunn - 1998 - 204 pages
...routine, and I am now thinking . . . No, I will let you in on what Hamlet is thinking: Is it not monstrous that this player here, But in a fiction, in a dream of passion. Could force his soul so to his own conceit That from her working all his visage wanned. Tears...
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The Plays of Christopher Marlowe and George Peele: Rhetoric and Renaissance ...

Brian B. Ritchie - 1999 - 362 pages
...sincerity of the actor in fitting his own emotions to the pathos of his speech: Is it not monstrous that this player here, But in a fiction, in a dream of passion, Could force his soul so to his own conceit That from her working all his visage wanned, Tears...
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