 | Jonah Siegel - 2000 - 384 pages
...text, Hazlitt offers a quotation from Milton on the loss of intimacy with the original creator: No more talk where God or Angel guest With man, as with his friend, familiar us'd To sit indulgent. — (5:143) This passage is the opening of book 9 of Paradise Lost. Whereas book 8 had been the account... | |
 | John N. King - 2000 - 262 pages
...the prelapsarian table, a transition that negates manifold poetic and religious senses of pastoral: No more of talk where God or angel guest With man, as with his friend, familiar used To sit indulgent, and with him partake Rural repast, permitting him the while Venial discourse... | |
 | Thomas N. Corns - 2003 - 548 pages
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 | John Milton, Merritt Yerkes Hughes - 2003 - 388 pages
...them both; they seek to cover thir nakedness; then fall to variance and aeeusation of one another. No more of talk where God or Angel Guest With Man,...repast, permitting him the while Venial discourse unblam'd: I now must change 5 Those Notes to Tragic; foul distrust, and breach Disloyal on the part... | |
 | Neil Forsyth - 2003 - 398 pages
...accumulation of front-rhymes on "dis — " in the opening lines of Book 9,' the book of the Fall itself. No more of talk where God or Angel Guest With Man,...repast, permitting him the while Venial discourse unblam'd: I now must change Those Notes to Tragic; foul distrust, and breach Disloyal on the part of... | |
 | John Milton - 2003 - 1012 pages
...them both; they seek to cover their nakedness; then fall to variance and accusation of one another. No more of talk where God or angel guest With man, as with his friend, familiar used0 To sit indulgent, and with him partake Rural repast, permitting him the while Venial discourse... | |
 | John Milton - 2003 - 516 pages
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 | Millicent Lenz, Carole Scott - 2005 - 260 pages
...Paradise Lost follows Genesis in imposing human separation from the divine as the price of the fall ("No more of talk where God or Angel Guest / With...with his Friend, familiar us'd / To sit indulgent [IX: 1—3]), His Dark Materials requires the separation of art and desire — painful, partial, always... | |
 | Margaret Kean - 2005 - 173 pages
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I now must change Those notes to tragic ; foul distrust, and breach Disloyal on the part of Man, revolt And disobedience : on the part of Heaven Now alienated, distance and distaste, Anger and just rebuke, and judgment given, That brought into this world... 
