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" gainst my fury Do I take part : the rarer action is In virtue than in vengeance: they being penitent, The sole drift of my purpose doth extend 30 Not a frown further. "
Das Buch der Bücher: seine Wirkungsgeschichte in der Literatur - Page 97
by Tom Kleffmann - 2004 - 175 pages
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Myth, Emblem, and Music in Shakespeare's Cymbeline: An Iconographic ...

Peggy Muñoz Simonds - 1992 - 412 pages
...back flap) Myth, Emblem, and Music in Shakespeare's Cymbeline 1 Cymbeline as a Renaissance Tragicomedy Yet, with my nobler reason, 'gainst my fury Do I take...part. The rarer action is In virtue than in vengeance. — The Tempest As ED Hirsch, Jr., has argued, we cannot hope to interpret a literary work with any...
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Shakespeare, the King's Playwright: Theater in the Stuart Court, 1603-1613

Alvin B. Kernan - 1997 - 294 pages
...sharply Passion as they, be kindlier mov'd than thou art? Though with their high wrongs I am strook to th' quick, Yet, with my nobler reason, 'gainst...part. The rarer action is In virtue than in vengeance. (5.1.21) Art, as Shakespeare depicts it, begins as a satiric art to hurt and instruct enemies, but...
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Shakespeare Studies, Volume 23

J. Leeds Barroll - 1995 - 304 pages
...Passion as they, be kindlier mov'd than thou art? Though with their high wrongs I am strook to th'quick, Yet, with my nobler reason, 'gainst my fury Do I take...part. The rarer action is In virtue than in vengeance. (5.1.17-28) Some years ago Eleanor Prosser42 traced this passage to John Florio's translation of Montaigne's...
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Dialogic structures

Thomas Kühn, Ursula Schaefer - 1996 - 382 pages
...myself, One of their kind, that relish all as sharply Passion as they, be kindlier moved than thou art? Though with their high wrongs I am struck to th' quick,...part. The rarer action is In virtue than in vengeance. (V, l,Z.21ff.) Da seine Wut verraucht ist, ist er zur Vergebung bereit. Trotz seines vorschnellen Urteils,...
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Shakespeare: A Life in Drama

Stanley Wells - 1997 - 438 pages
...myself, One of their kind, that relish all as sharply Passion as they, be kindlier moved than thou art? Though with their high wrongs I am struck to th' quick,...part. The rarer action is In virtue than in vengeance. (5.1.17-28) The question that faces the play's interpreters is whether from the start Prospero acted...
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Constellation Caliban: Figurations of a Character

Nadia Lie, Theo d'. Haen - 1997 - 386 pages
...myself, One of their kind, that relish all as sharply Passion as they, be kindlier moved than thou art? Though with their high wrongs I am struck to th' quick,...part. The rarer action is In virtue than in vengeance. (Vi 21-28) Prospero's phrase "with my nobler reason" suggests that to him Ariel is analogous to that...
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The Tempest

William Shakespeare - 1998 - 260 pages
...last fully human. This is certainly what Prospero proposes for himself at the beginning of Act 5 : Though with their high wrongs I am struck to th' quick,...part. The rarer action is In virtue than in vengeance. . . . . . . this rough magic I here abjure; and when I have required Some heavenly music . . . . ....
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Tragedy and Comedy: A Systematic Study and a Critique of Hegel

Mark William Roche - 1998 - 470 pages
...tragedy of self-sacrifice. Shakespeare's The Tempest overcomes a potential tragedy of stubbornness ("Yet with my nobler reason 'gainst my fury / Do I...The rarer action is / In virtue than in vengeance" Vi 26-28). Some works overcome opposition: the hero or heroine recognizes the truth of the other, thus...
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Il messaggio di don Milani

Giulia D'Amico - 1998 - 352 pages
...as they, be kindlier mov'd than thou art? Though with their high wrongs I am struck to th' quick, 25 yet with my nobler reason 'gainst my fury do I take part: thè rarer action is in virtue than in vengeance: they being penitent, thè sole drift of my purpose...
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Representations of Emotions

Jürgen Schlaeger - 1999 - 188 pages
...sharply Passion as they, be kindlier mov'd than thou art? Though with their high wrongs I am strook to th' quick, Yet, with my nobler reason, 'gainst my fury Do I take part [...]. [VI 22-27] 2 TS Eliot, Selected Essays, London, Faber & Faber 1932, 202-203. William Shakespeare,...
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