King LearPenguin, 1998 M06 1 - 352 pages The Signet Classics edition of one of William Shakespeare’s greatest tragedies. Full of cruelty and betrayal, King Lear is the timeless and tragic story of a kingdom held in the thrall of an aging ruler’s descent into madness. Desperate for praise, he banishes those who would guide him with honesty and surrounds himself with sycophants—an action that leads to his ultimate downfall.... This revised Signet Classics edition includes unique features such as: • An overview of Shakespeare's life, world, and theater • A special introduction to the play by the editor, Russell Fraser • Selections from Raphael Holinshed's Chronicles of England, Scotland, and Ireland, Sir Philip Sidney's Arcadia, and The True Chronicle History of King Lear, the sources from which Shakespeare derived King Lear • Dramatic criticism from Samuel Johnson, A. C. Bradley, John Russell Brown, and others • A comprehensive stage and screen history of notable actors, directors, and productions • Text, notes, and commentaries printed in the clearest, most readable text • And more... |
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... kind of clown: “and pat he comes like the catastrophe of the old comedy” (145-46). But the degradation of Gloucester is not ratified. He also undergoes a miraculous transformation. The critical point or pivot at which this ...
... kind of clown: “and pat he comes like the catastrophe of the old comedy” (145-46). But the degradation of Gloucester is not ratified. He also undergoes a miraculous transformation. The critical point or pivot at which this ...
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... kind nursery.° Hence and avoid my sight! So be my grave my peace, as here I give Her father's heart from her! Call France. Who stirs? Call Burgundy. Cornwall and Albany, With my two daughters' dowers digest° the third; Let pride, which ...
... kind nursery.° Hence and avoid my sight! So be my grave my peace, as here I give Her father's heart from her! Call France. Who stirs? Call Burgundy. Cornwall and Albany, With my two daughters' dowers digest° the third; Let pride, which ...
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... kind o' thing than a Fool, and yet I would not be 165-66 bor'st ... dirt (like the foolish and unnatural countryman in Aesop's fable) 168 like myself like a Fool 168 let him be whipped i.e., let the man be whipped for a Fool who thinks ...
... kind o' thing than a Fool, and yet I would not be 165-66 bor'st ... dirt (like the foolish and unnatural countryman in Aesop's fable) 168 like myself like a Fool 168 let him be whipped i.e., let the man be whipped for a Fool who thinks ...
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action actors Albany audience better characters comedy Cordelia Cornwall costumes daughters death dost doth drama Duke Duke of Cornwall Edmund Elizabethan Enter Edgar Enter Lear evil Exeunt Exit eyes F omits F prints father feel Folio follow Fool fortune Gentleman give Gloucester’s gods Goneril Hamlet hast hath heart heavens honor i’th Kent King Lear king’s knave lady Lear’s Leir lines look lord Macbeth madam man’s master Merchant of Venice Midsummer Night’s Dream mind nature never night noble Nuncle o’th Oswald Othello performance perhaps Perillus pity play’s playwright poor pray prose Q corrected Quarto Regan roles Romeo and Juliet s.d. Enter Scena scene seems servant Shakespeare Shakespeare’s plays sister speak speech stage direction storm tell theater theatrical thee there’s thine things thought tragedy trumpet Twelfth Night villain William Shakespeare words