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they had not so grossly erred in the art of perpetuation. But to subsist in bones, and be but pyramidally extant, is a fallacy in duration.

But the iniquity of oblivion blindly scattereth her poppy, and deals with the memory of men without distinction to merit of perpetuity. Who can but pity the founder of the pyramids? Herostratus lives, that burnt the temple of Diana! he is almost lost that built it. Time hath spared the epitaph of Adrian's horse, confounded that of himself. In vain we compute our felicities by the advantage of our good names, since bad have equal durations; and Thersites is like to live as long as Agamemnon, without the favor of the everlasting register. Who knows whether the best of men be known, or whether there be not more remarkable persons forgot, than any that stand remembered in the known account of time? The first man had been as unknown as the last, and Methuselah's long life had been his only chronicle.

There is nothing strictly immortal, but immortality. Whatever hath no beginning, may be confident of no end. All others have a dependent being, and within the reach of destruction, which is the peculiar of that necessary essence that cannot destroy itself, and the highest strain of omnipotency, to be so powerfully constituted, as not to suffer even from the power of itself. But the sufficiency of Christian immortality frustrates all earthly glory, and the quality of either state after death makes a folly of posthumous

memory.

Man is a noble animal, splendid in ashes, and pompous in the grave; solemnizing nativities and deaths with equal lustre.

To subsist in lasting monuments, to live in their productions, to exist in their names, and predicament of chimeras, was large satisfaction unto old expectations, and made one part of their Elysiums. But all this is nothing in the metaphysics of true belief. To live indeed is to be again ourselves, which being not only a hope, but an evidence in noble believers, it is all one to lie in St. Innocent's1 churchyard, as in the sands of Egypt; ready to be any thing in the ecstasy of being ever, and as content with six foot as the moles of Adrianus.

PRIDE.

Hydriotaphia.

I thank God amongst those millions of vices do inherit and noid from Adam, I have escaped one, and that a mortal enemy to charity, the first and father sin, not only of man, but of the devil,— pride; a vice whose name is comprehended in a monosyllable, but in its nature not circumscribed with a world; I have escaped

1 In Paris, where bodies soon consume

A stately mauso!um, or sepulchra pile, built by Adrianus in Rome, where now standeth natle of St. Angelo

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it in a condition that can hardly avoid it; those petty acquisitions and reputed perfections that advance and elevate the conceits of other men, add no feathers into mine. I have seen a grammarian tour and plume himself over a single line in Horace, and show more pride in the construction of one ode, than the author in the composure of the whole book. For my own part, besides the jargon and patois of several provinces, I understand no less than six languages; yet I protest I have no higher conceit of myself, than had our fathers before the confusion of Babel, when there was but one language in the world, and none to boast himself either linguist or critic. I have not only seen several countries, beheld the nature of their climes, the chorography of their provinces, topography of their cities, but understood their several laws, customs, and policies; yet cannot all this persuade the dulness of my spirit unto such an opinion of myself, as I behold in nimbler and conceited heads, that never looked a degree beyond their nests. I know the names, and somewhat more, of all the constellations in my horizon; yet I have seen a prating mariner that could only name the pointers and the North star, out-talk me, and conceit himself a whole sphere above me. I know most of the plants of my country, and of those about me; yet methinks I do not know so many as when I did but know a hundred, and had scarcely ever simpled further than Cheapside; for indeed heads of capacity, and such as are not full with a handful, or easy measure of knowledge, think they know nothing till they know all; which being impossible, they fall upon the opinion of Socrates, and only know they know not any thing.1

1 SOLILOQUIES OF THE OLD PHILOSOPHER AND THE YOUNG LADY.

"Alas !" exclaimed a silver-headed sage, "how narrow is the utmost extent of human knowledge l how circumscribed the sphere of intellectual exertion! I have spent my life in acquiring knowledge, but how little do I know! The farther I attempt to penetrate the secrets of nature, the more I am bewildered and benighted. Beyond a certain limit, all is but confusion or conjecture: so that the advantage of the learned over the ignorant consists greatly in having ascertained how little is to be known.

"It is true that I can measure the sun, and compute the distances of the planets; I can calculate their periodical movements; and even ascertain the laws by which they perform their sublime revo lutions: but with regard to their construction, to the beings which inhabit them, of their condition and circumstances, whether natural or moral, what do I know more than the clown?

"I remark that all bodies, unsupported, fall to the ground: and I am taught to account for this by the law of gravitation. But what have I gained here more than a term? Does it convey to my mind any idea of the nature of that mysterious and invisible chain which draws all things to a common centre! I observed the effect, I gave a name to the cause; but can I explain or comprehend it? "Pursuing the tract of the naturalist, I have learned to distinguish the animal, vegetable, and mineral kingdoms: and to divide them into their distinct tribes and families:--but can I tell, after all *his toil, whence a single blade of grass derives its vitality t-could the most minute researches enable me to discover the exquisite pencil that paints and fringes the flower of the field -have I ever detected the secret that gives their brilliant dye to the ruby and the emerald, or the art that enamels the delicate shell?

'Alas! then, what have I gained by my laborious researches but an humiliating conviction of my

As a specimen of his worst Latinized English, we give the following from his "Vulgar Errors." He notices the custom of foretelling events by spots upon the nails in this curious manner :

That temperamental dignotions, and conjecture of prevalent humors, may be collected from spots in our nails, we are not averse to concede. But yet not ready to admit sundry divinations, vulgarly raised upon them.

And again:

Of lower consideration is the common foretelling of strangers from the fungous parcel about the wicks of candles; which only signifieth a moist and pluvious ayr about them, hindering the avolation of the light and favillous particles.

IZAAK WALTON. 1593-1683.

IZAAK WALTON, the "Father of Angling," was born at Stafford, in 1533. Of his early education little is known; but having acquired a moderate com. petency in business in London, as a linen-draper, he retired from business in 1643, at the age of fifty, and lived forty years after, in uninterrupted leisure dying in 1683, in the ninetieth year of his age, exhibiting a striking proof how much calm pursuits, with a mind pure and at ease, contribute to prolong the period of human existence.

Walton is celebrated as a biographer, and particularly as an angler. His first work was the "Life of Dr. John Donne," published in 1640. On the death of Sir Henry Wotton, he published a collection of his works, with a life prefixed. His next life was that of Dr. Richard Hooker, author of the clesiastical Polity;" and soon after he wrote the life of George Herbert.

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weakness and ignorance? of how little has man, at his best estate, to boast? what folly in him to glory in his contracted powers, or to value himself upon his imperfect acquisitions "

"Well!" exclaimed a young lady, just returned from school, "my education is at last finished: indeed it would be strange, if, after five years' hard application, any thing were left incomplete. Happily that is all over now; and I have nothing to do but to exercise my various accomplishments. "Let me seel-as to French, I am mistress of that, and speak it, if possible, with more fluency tnan English. Italian I can read with ease, and pronounce very well; as well, at least, and better, than any of my friends; and that is all one need wish for in Italian. Music I have learned till 1 am perfectly sick of it. But, now that we have a grand piano, it will be delightful to play wher we have company. I must still continue to practise a little;-the only thing, I think, that I need now to im prove myself in. And then there are my Italian songs! which everybody allows I sing with taste, and, as it is what so few people can pretend to, I am particularly glad that I can.

"My drawings are universally admired; especially the shells and flowers; which are beautiful certainly; besides this, I have a decided taste in all kinds of fancy ornaments.

"And then my dancing and waltzing! in which our master himself owned that he could take me no further!-just the figure for it, certainly; it would be unpardonable if I did not excel.

"As to common things, geography, and history, and poetry, and philosophy, thank my stars. 1 have got arough them all! so that I may consider myself not only perfectly accomplished, but a thoroughly well informed.

"Well, to be sure how much have I fagged through; the only wonder is, that one head can con trum it all to

these were collected in 1670, and published in one volume. It was one of Dr. Johnson's most favorite books.

But the work by which he is most known is, "The Complete Angler, or Contemplative Man's Recreation," a work, which, to use the words of Sir Harris Nicolas, "whether considered as a treatise on the art of angling, or a beautiful pastoral, abounding in exquisite descriptions of rural scenery, in sentiments of the purest morality, and in unaffected love of the Creator and his works, has long been ranked among the most popular compositions in our language." In writing it, he says, he made a "recreation of a recreation," and, by mingling innocent mirth and pleasant scenes with the graver parts of his discourse, he designed it as a picture of his own disposition. The work is, indeed, essentially autobiographical in spirit and execution. It is in the form of a dialogue; a Hunter and a Falconer are introduced as parties in it, but the whole interest of the piece centres in the venerable and complacent Piscator. The three meet accidentally near London, on a "fine fresh May" morning, and they agree each to "commend his recreation" or favorite pursuit. Piscator allows the Falconer to take the lead, who thus commends the sport of his choice:

And first for the element that I use to trade in, which is the air; an element of more worth than weight, an element that doubtless exceeds both the earth and water: for though I sometimes deal in both, yet the air is most properly mine; I and my hawks use that, and it yields us most recreation: it stops not the high soaring of my noble, generous falcon in it she ascends to such an height as the dull eyes of beasts and fish are not able to reach to; their bodies are too gross for such high elevations. In the air, my troops of hawks soar up on high, and when they are lost in the sight of men, then they attend upon and converse with the gods. Therefore I think my eagle is so justly styled Jove's servant in ordinary and that very falcon, that I am now going to see, deserves no meaner a title, for she usually in her flight endangers herself, like the son of Daedalus, to have her wings scorched by

1 "The Lives of Dr. John Donne; Sir Henry Wotton; Mr. Richard Hooker; Mr. George Herbert and Dr. Robert Sanderson, by Izaak Walton; with Notes and the Life of the Author, by Thomas Zouch, D. D." Best edition of a most admirable book.

2 Falconry, or the art of training hawks so that they would catch other birds, was a favorite sport with the English down to the middle of the seventeenth century. During the reigns of Elizabeth and James I., the rage for it was so universal, that no one could have the smallest pretensions to the character of a gentleman who kept not a "cast" of hawks; which term was applied to any num ber of hawks kept by one person, and was no more definite than the term "pack" applied to hounds. It was a very expensive diversion, and frequently involved those who were not opulent in atlet tain. For instance, in the reign of James I., a person gave one thousand pounds for a cast of hexka The training of hawks, as might well be supposed, was a work of great labor and difficulty, and hɩ who possessed great skill in the art was highly prized. They were taught to render perfect obe dience to the voice, and this was called "manning," or "luring;" and to fly after different birds, which was called "flying." When not flying at their game they were "hooded," having a little cap drawn over their head. When taken upon the "fist," the term used for carrying them in the hand, they had straps of leather, called "jesses," put about their legs, to which bells were also attacned. fo one of the "jesses" was tied a long thread, by which the bird was drawn back, after being permited to fly, which was called the "reclaiming" of the hawk. For a more full account of this diver Bio, read Drake's "Shakspeare and his Times," vol. i. p 255-272.

the sun's heat, she flies so near it; but her mettle makes her Lareless of danger; for then she heeds nothing, but makes her nimble pinions cut the fluid air, and so makes her highway over the steepest mountains and deepest rivers, and in her glorious career looks with contempt upon those high steeples and magnificent palaces which we adore and wonder at; from which height I can make her to descend by a word from my mouth, which she both knows and obeys, to accept of meat from my hand, to own me for her master, to go home with me, and be willing the next day to afford me the like recreation.

Nay more, the very birds of the air, those that be not hawks, are both so many, and so useful and pleasant to mankind, that I must not let them pass without some observations.

*

As first, the lark, when she means to rejoice; to cheer herself and those that hear her, she then quits the earth, and sings as she ascends higher into the air; and having ended her heavenly employment, grows then mute and sad to think she must descend to the dull earth, which she would not touch but from necessity.1

How do the blackbird and thrassel with their melodious voices bid welcome to the cheerful spring, and in their fixed months warble forth such ditties as no art or instrument can reach to!

Nay, the smaller birds also do the like in their particular seasons, as namely, the leverock, the tit-lark, the little linnet, and the honest robin, that loves mankind both alive and dead.

But the nightingale, another of my airy creatures, breathes such sweet loud music, out of her little instrumental throat, that it might make mankind to think miracles are not ceased. He that at midnight, when the very laborer sleeps securely, should hear as I have, very often, the clear airs, the sweet descants, the natural rising and falling, the doubling and redoubling of her voice, might well be lifted above earth, and say, Lord, what music hast thou provided for the saints in heaven, when thou affordest bad men such music on earth!

This for the birds of pleasure, of which very much more might be said. My next shall be of birds of political use: I think 'tis not to be doubted that swallows have been taught to carry letters between two armies. But it is certain, that when the Turks besieged Malta or Rhodes, I now remember not which it was,

1 "What can be more delightful than this description of the lark! In all the poets there is nothing said of the lark or of the nightingale comparable to this exquisite passage of our pious author. The thrassel is the song-thrush; leverock is a name still used in Scotland for the skylark; and the fondness of the robin for churchyards is well known."-American Editor of Wallon.

2 What a favorite the nightingale has been with the best poets, ancient and modern! Homer, Theo eritus. Virgil. and Horace have sung its praises; Milton has shown his regard for it in numerous passages, and in a sonnet dedicated to it; Thomson, the poet of nature, has celebrated it; and Gray bas remembered it in his ode to Spring. But which of these has any thing superior to this most beau tiful description of it by our authori

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