Cities of the Dead: Circum-Atlantic Performance

Front Cover
Columbia University Press, 1996 - 328 pages
"Artfully interweaving theatrical, musical, and ritual performance along the Atlantic rim from the eighteenth century to the present, Cities of the Dead explores a rich continuum of cultural exchange that imaginatively reinvents, re-creates, and restores history." "Enriched with fifty-five illustrations, including spectacular photos of New Orleans's famed Mardi Gras Indians, Joseph Roach's work employs an entirely unique approach to the study of culture. Rather than focusing on one region, Cities of the Dead describes broad cultural connections over place and time, showing through myriad examples how performance can revise the unwritten past." "Through illuminating discussions of social events ranging from burials to sacrifices, from auctions to parades, encompassing regional traditions as diverse as Haitian Voudon and British funerals, the book looks at the synchretic performance traditions of Europe, Africa, and the Americas. Exploring processes of substitution, or surrogation, as enacted in performance, Roach demonstrates the ways in which we fill the voids left by death and departure." "Cities of the Dead proposes a new way to think about the relationship between history and memory as well as between document and performance. It details patterns of remembrance and forgetting, of communities forging their identities and imagining their futures." --Book Jacket.
 

Contents

III
1
IV
4
V
7
VI
10
VII
17
VIII
25
IX
33
X
36
XXVII
144
XXVIII
152
XXIX
161
XXX
173
XXXI
177
XXXII
179
XXXIII
182
XXXIV
192

XI
42
XII
47
XIII
55
XIV
63
XV
68
XVI
73
XVII
78
XVIII
85
XIX
92
XX
101
XXI
106
XXII
109
XXIII
119
XXIV
123
XXV
131
XXVI
139
XXXV
198
XXXVI
202
XXXVII
211
XXXVIII
224
XXXIX
233
XL
239
XLI
242
XLII
257
XLIII
261
XLIV
269
XLV
273
XLVI
277
XLVII
283
XLVIII
287
XLIX
311
Copyright

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About the author (1996)

Joseph Roach is professor of English at Tulane University. He is the author of The Player's Passion: Studies in the Science of Acting, which won the Barnard Hewitt Award, and coeditor, with Janeele Reinelt, of Critical Theory and Performance.

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