Shakespeare Films in the Making: Vision, Production and Reception

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Cambridge University Press, 2007 M08 2 - 280 pages
Shakespeare Films in the Making examines the production and reception of five feature-length Shakespeare films from the twentieth century, focusing on the ways in which they articulate visions of their Shakespearean originals, of the fictional worlds in which the films are set, and of the movie-makers' own society. Warner Brothers' 1935 A Midsummer Night's Dream and MGM's 1936 Romeo and Juliet were products of the Hollywood system and reflect the studios' desire to enhance their status with 'prestige pictures'. Olivier's 1944 Henry V was part of Britain's cultural war effort and embodies visions of the medieval past and ideal leadership. The Romeo and Juliet films of Renato Castellani (1954) and Franco Zeffirelli (1968) embodied visions of Renaissance Italy that contrast - in differing ways - with MGM's film. This book offers readings of these significant and influential films, supported by extensive archival research, including studio documents, script revisions, publicity materials and reviews.
 

Contents

Section 1
40
Section 2
49
Section 3
70
Section 4
92
Section 5
96
Section 6
105
Section 7
127
Section 8
134
Section 9
141
Section 10
148
Section 11
155
Section 12
166
Section 13
175
Section 14
182
Section 15
203

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About the author (2007)

Russell Jackson is Allardyce Professor of Drama in the Department of Drama and Theatre Arts at the University of Birmingham.

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