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tower above the sublimest writers of other times and countries? "Whatever in our literature," says Taylor, "possesses most of simple majesty and force, whatever is most fully fraught with feeling, whatever draws away the soul from its cleaving to the dust and lifts the thoughts toward a brighter sphere-all such elements we owe directly or indirectly to the Hebrew Scriptures, especially to those parts that are in spirit and form poetic."

Parallelism has been mentioned as a distinctive feature of Hebrew poetry. This is defined by Bishop Lowth as "a certain equality, resemblance, or relationship between the members of a period, so that things shall answer to things and words to words, as if fitted to each other by a kind of rule or measure."

Parallelism may be either cumulative, antithetical, or constructive. In the first, a proposition, after having been once stated, is repeated in equivalent words of similar construction, as in Isaiah, lv., 6, 7 :—

"Seek ye the Lord, while he may be found;
Call ye upon him, while he is near.

Let the wicked forsake his way,

And the unrighteous man his thoughts:

And let him return unto the Lord, and he will have mercy upon him; And to our God, for he will abundantly pardon.”

Antithetical parallelism is similar, except that the two periods correspond with each other by an opposition of sentiments and terms; as in Proverbs, xxvii., 6 :—

"Faithful are the wounds of a friend;

But deceitful are the kisses of an enemy."

In the third kind of parallelism, there is neither correspondence nor opposition in the sentiment, but simply a similarity of construction in the two periods, as in Psalm xix., 8, 9:— "The statutes of the Lord are right, rejoicing the heart;

The commandment of the Lord is pure, enlightening the eyes.

The fear of the Lord is clean, enduring forever;

The judgments of the Lord are true and righteous altogether."

DAWN OF HEBREW LITERATURE.

There is good reason for believing that the ancient He brews had an extensive literature; but out of their "multitude of books," all that have descended to us are those of the Old Testament. Their secular poetical and prose works are wholly lost.

The Books of Moses.-The earliest Hebrew writer of whom we have positive knowledge was Moses, author of the greater part of the Pentateuch* (five volumes-the first five books of the Bible), or, as it was called by the Jews, the Book of the Law.

The first book of the Pentateuch, Genesis (the generation), tells us all that we know of the Creation, the Deluge, the Confusion of languages, the Dispersion, and the lives of the patriarchs, whose history it sketches till the death of Joseph in Egypt, keeping everywhere prominent the relation of Jehovah to the chosen race.

Exodus (the going out) continues the story of the Hebrews from the death of Joseph, relates their oppression under the Pharaoh Ram'eses the Great, their miraculous escape from the land of bondage in the reign of his successor, and the promulgation of the commandments on Mount Sinai. It is in this book that we catch our first glimpse of Hebrew poetry in

Some hold that the Pentateuch was compiled by Moses from extant writings of an earlier period; others believe it to have been reduced to its present form at a much later date; while many theologians ascribe it all to Moses, except the part that relates to his death and a few interpolated sentences. Its authenticity as part of God's Word has been disputed from time to time, and particularly in these later days; but neither Jews nor Christians doubt its inspiration, though they admit that in parts its meaning may have been misconceived. We have here to do with it, as with other parts of the Bible, simply as a literary work.

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the Song of Moses and his sister Miriam-a magnificent triumphal ode, the most ancient in any language. The rescued host pour forth in unison their joy and gratitude; while in response the exulting prophetess, timbrel in hand, leads the women of Israel, on the shore of that sea which had engulfed their enemies, to celebrate their deliverance with sacred dance and rapturous verse. (See Exodus, chapter xv.)

Leviticus (the book pertaining to the Levites) consists of regulations relative to worship and sacrifice, together with historical items touching the consecration of Aaron, his first offering, and the destruction of two of his sons for their impiety. Here is developed the theocratic system that lay at the base of Hebrew society.

Numbers takes its name from the numbering of the Israelites in the wilderness of Sinai; it gives an account of this census, and continues their history during thirty-seven years of subsequent wandering, up to their arrival on the borders of the Promised Land. In this book there are several brief specimens of poetry, commemorative of victory, of the digging of a well in the wilderness, etc.

In Deuteronomy (the second law) the law is repeated and explained by Moses in three fervid discourses, just before the entrance of the Hebrews into Canaan. The Pentateuch closes with a simple but inexpressibly grand outburst of the Hebrew legislator in song (chapter xxxii.), the blessings he pronounces upon the twelve tribes, and an account of his death.

Of the facts presented in these first five books of the Old Testament, some are confirmed by hieroglyphic inscriptions and the traditions of different nations; but of the greater part we should have had no knowledge without the inspired narrative. Aside, therefore, from its religious bearing, the Pentateuch is invaluable as an historical record of primeval ages; while its clear, concise, dignified style, rich with noble

thoughts expressed in the venerable manner of antiquity, is worthy of its sublime subjects.

The Historical Books.-The Pentateuch is followed by the historical books of Scripture, which, though extending into the silver age, will for convenience' sake be here considered together. With the Pentateuch they form a complete summary of national history, in which are interwoven religious matters that explain and illustrate it. We may glance briefly at their authorship and contents.

The Book of Joshua, supposed to have been written by Joshua himself or soon after his death, covers a period of twenty-five years (about 1425 B.C.); it relates to the conquest of Canaan and the partition of that promised land among the twelve tribes, closing with the farewell exhortation and death of the great leader. Judges, ascribed to the Prophet Samuel, continues the history of the nation to about 1100 B.C.; it tells how the Jews, as a punishment for their apostasy, were at different times reduced to servitude by their heathen enemies, and on their repentance delivered by heroes who became their Judges. Ruth, regarded by the ancient Jews as belonging to the Book of Judges, is of unknown date and authorship, though attributed by some to Samuel. It is an exquisite idyl of domestic life, designed to show the origin of King David.

The Books of Samuel, the first portion of which Samuel probably composed himself, give an account of the magistracy of that prophet and the reigns of Saul and David. The Books of the Kings dwell upon the glorious reign of Solomon, and then take us through the divided lines of Israel and Judah, till both were finally overthrown and carried into captivity; Jewish tradition points to Jeremiah as the author of these books. Ezra seems to have written most of the Chronicles, which is supplementary to the Kings; he was also the author of the book that bears his name. This and Nehemiah

THE BOOK OF JOB.

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describe the return of the Jews from their captivity in Babylon, and the restoration of the temple-worship at Jerusalem. The Book of Esther, possibly from the pen of Mordecai, one of the personages of the story, is devoted to a touching episode of the reign of Ahasuerus, king of Persia, supposed to be identical with Xerxes, the son of Darius Hystaspis.

The Book of Job is worthy of special mention, as the most artistic specimen of Hebrew genius. Whether this unique poem was the work of Job himself in his later days, or of some other whose name is lost, its author was evidently proficient in all the scientific knowledge of his time. The hero, a native of northern Arabia, whose name has become a synonym for patient suffering, is reduced to the very depths by family bereavements, bodily anguish, and the well-meant reproaches of his friends; yet his faith in God is unshaken, and in the end that faith is amply vindicated and rewarded.

Bold imagery, vividness of description, life-like delineations of lofty passion as well as the gentler emotions, combined with master-touches of dramatic art, stamp this poem as the greatest in Oriental literature. Its passages relating to the war-horse, behemoth, and leviathan (chapters xxxix., xl., xli.), are cited by writers on the sublime as among the grandest illustrations of their subject; and its descriptions of the Deity, as manifested in his works, exhibit the noblest conceptions of the Infinite that man's finite intellect is capable of forming.

GOLDEN AGE OF HEBREW POETRY.

The Psalms. The flourishing period of DAVID (1085-1015 B.C.) ushers in the Augustan age of Hebrew poetry. The Lyric was then carried to perfection by the poet-king himself and his contemporaries in their Psalms,-" those delicate, fragrant, and lovely flowers," as Luther calls them, "springing up out of all manner of beautiful joyous thoughts toward God and his goodness." The strains of "Israel's sweet psalmist,"