er worth to wealth; to assign what is really due to honor; to be a foe and enemy of bad men and bad principles; to stand by good men and good principles; to extol the good, to wish them well, to be their friend through life. Lastly, it is true worth to look on our country's weal as the chief good; next to that, the weal of our parents; third and last, our own weal."-SELLAR.

EARLY LATIN PROSE.

In her prose, Rome owed but little to Greece. Had she never known the Greek masters, she might not have produced a poetical literature, but she would have had her great orators and historians. Statesmanship was the natural profession of her nobles and educated men; jurisprudence and oratory were essential accomplishments of the aspirant to public honors; and Latin was peculiarly adapted to prose composition, which appears to have been practised very early in Latium. The development of this primitive, yet nervous, prose was not left to Greek slaves and freedmen, but called forth the efforts of the foremost citizens,-Cato the Censor, Lælius and Scipio, the Gracchus brothers, Crassus and Antonius, Hortensius. In the period under consideration it began to lose its ruggedness, and acquire polish, grace, and harmony.

Cato (234-149 B.C.).--The early historians of Rome, following the example of FABIUS PICTOR, the first of her prose annalists, employed the Greek language. It was the elder Cato, the Censor and moralist, the inflexible enemy of all that was Greek, whose warning voice foretold the national corruption that must follow the introduction of Hellenic literature; it was Cato, the philosopher, orator, and historian, who dignified Latin prose by embodying in it his vigorous thoughts.

Inured from boyhood to hard toil and simple fare on his father's Sabine farm, Cato took an active part in the war against Hannibal, returning after the conflict to his humble rustic life. But his country soon demanded his services in another field; at her bar he won even greater glory, and she

CATO THE CENSOR.

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rewarded him with every office in her gift. Cato nobly discharged his various trusts; but it is as the uncompromising foe of effeminacy and vice that we know him best. His political life, a model of economy and uprightness, was a ceaseless battle with corruption -- a struggle to banish the luxury he despised and restore the stern virtue of his fathers. But it was one man against a nation, and the current was too strong for one alone to stem. He served Rome to the bitter end, and fell in the traces at the age of ninety, his energies unimpaired, his purpose unshaken.

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Amid all his active duties, Cato, whose constitution like his will was of iron, found time for literary work. He is known to have written at least one hundred and fifty orations, not without faults of style, for the amenities he was too apt to disregard, but cogent in their reasoning, clear and powerful in expression. Mutilated remains of his practical hand-book on Agriculture are extant, which show him to have been familiar with all the details of the farm and garden. In a work on medicine, dedicated to his son, he exclaims against the Greek physicians, and recommends the simple remedies which he had always found efficacious. His prejudice against medical men was founded on the belief that their introduction from Greece was a deep-laid plot to poison his fellowcitizens; moreover, he knew that Rome had thriven marvellously for five centuries, in blissful ignorance of the medical faculty.

Cato's chief work was his "Origines" (in seven books), a history of his country, deriving its name from the first three books, which discussed the origin of Rome and the Italian states. The aged patriot prepared this treatise just before his death, to throw it into the scale against Greek influence; but not a hundred Catos could have turned the balance then. The loss of the "Origines" is an irreparable one to archæology.

SPECIMENS OF CATO'S STYLE.

"For myself, I think well of a merchant as a man of energy and studious of gain; but it is a career that leads to danger and ruin. Farming, however, makes the bravest men and the sturdiest soldiers; and of all sources of gain is the surest, the most natural, and the least invidious. Those who are busy with it have the fewest bad thoughts."-TREATISE ON AGRICULTURE.

"Buy not what you want, but what you must have; what you don't want is dear at a farthing."-"Men are worn out by hard work; but if they do no work, rest and sloth injure them more than exercise."

HEROISM OF CÆDICIUS.

During the First Punic War the Roman army was surprised and threatened with destruction, when Cædicius the Tribune promptly volunteered to engage the enemy with 400 men, while the rest escaped. The little band was cut down to a man.

"The immortal gods," said Cato, "granted the tribune a lot according to his valor. For thus it came to pass. Though he had received many wounds, uone proved mortal; and when his comrades recognized him among the dead, faint from loss of blood, they took him up and he recovered. But it makes a vast difference in what country a generous action is performed. Leonidas of Lacedæmon, who performed a similar exploit at Thermopylæ, is praised. On account of his valor, united Greece testified her gratitude in every possible way, and adorned his exploit with monumental records, pictures, statues, eulogies, histories. The Roman tribune gained but faint praise, and yet he had done the same and saved the republic." -ORIGINES.

Lælius and Scipio followed Cato, and improved upon his rude eloquence. Their speeches, which were committed to writing, bore the impress of learning and genius.

The Gracchi (169-121 B.C.), sons of the noble Cornelia, Scipio's daughter, to whom they owed their early education, introduced a new era in Roman eloquence, and have been called "the founders of classical Latin." Both gave up their lives in the interest of the Commons.

Tiberius, the elder, was the impersonation of clear-headed, dispassionate, argumentative oratory. Caius, the younger, of greater intellectual power, declaimed with such impetuosity that it was his custom to keep a slave at his side to remind

THE EARLY ORATORS.

327 him with the note of a flute when his vehemence became immoderate. Cicero inclined to the belief that, had not Caius Gracchus met an untimely death, he would have been the most brilliant representative of Roman eloquence. Nothing remains of the speeches of Tiberius, and the few fragments we possess of Caius indicate a want of finish.

Antonius and Crassus were the most distinguished speakers of the period that separated the Gracchi from Cicero. Both were diligent students of Greek literature, though both sought to conceal their indebtedness to it. Crassus excelled

in the elegance of his language; Antonius, in gesture.

Hortensius (114-50 B.C.).-Crassus, in the last year of his life, highly complimented the young Hortensius, whose promise as an orator he was quick to discern. After the death of Antonius (87 B.C.), Hortensius became "prince of the Roman bar," a position which he enjoyed until eclipsed by the superior genius of Cicero (70 B.C.). During his early manhood he labored with untiring industry, turning his remarkable memory to good account. His style was ornate, his voice perfect; his gestures were so graceful that actors came to learn their art from him; never before had Rome listened to a flow of language so copious and elegant. As a matter of course his services were in great demand, and hardly a day passed in which he did not either speak or prepare a speech.

Thus Hortensius accumulated a vast fortune, which proved his stumbling-block. Wealth begot a love of luxury, his energy gave way to indolence, and he quietly yielded the first place to his youthful rival. His luxurious villas, with their deer-parks, and gardens whose plants he watered with wine, were more to Hortensius than the victories of the forum. In these charming retreats he loved to entertain his friends, and exhibit to them his menagerie and tame fish-for which he showed more concern than for his servants. The death of a

favorite lamprey affected him to tears. At his luxurious mansion in Rome, the nucleus of the future imperial palace, peacocks were served for the first time at a feast.

The orator's tastes, however, were æsthetic as well; he wrote poetry, and expended large sums on statues and paintings. His orations are lost. Only the merest fragments of all the above prose writers survive.

MINOR DRAMATIC POETS.

poet.

LAVINIUS, the rival of Terence, who TURPILIUS (125 B.C.), a popular comic jealously interrupted the performance of the "Eunuch," denouncing its author as a plagiarist; yet this play brought Terence more than had ever before been paid for a comedy.

Accius (170-94 B.C.), the last of the tragic poets; 37 tragedies, borrowed to a great extent from the Greek; diction majestic and eloquent.

Early Roman theatres, temporary wooden structures; first stone theatre built by Pompey (55 B.C.), capable of accommodating 40,000 spectators. Pompey's example promptly followed by others. The orchestra reserved for the chief men of Rome, and not occupied by the chorus as in ancient Greece. Awnings for theatres invented by the Romans. The vast size of the later theatres obliged the actors to wear masks with features much larger than life and arranged at the mouth so as to give additional force to the voice.

MINOR PROSE WRITERS.

HISTORIANS.

FABIUS PICTOR: "Annals" of Rome, from the founding of the city to the end of the Second Punic War; careless and inaccurate.

CINCIUS (210 B.C.): a truthful and diligent annalist.

ORATORS.

GALBA (180–136 B.C.): first master of Greek rhetoric; vehemence and artifice his characteristics.

CARBO (164-119 B.C.): an unscrupulous, but sweet-voiced and powerful pleader.

ACILIUS GLABRIO (180 B.C.): History RUTILIUS (158-78 B.C.): a distinof Rome.

guished jurist.

CALPURNIUS Piso: "Annals;" style CATULUS: graceful and elegant; a barren and lifeless.

SISENNA (119-67 B.C.): History of Rome from the destruction of the city by the Gauls.

master of pure Latin.

COTTA: soft-spoken and courteous; his eloquence of the sweet, persuasive kind.