Elements of Criticism, Volume 3A. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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Page 17
... necessary to the comparison : they are short episodes , which , without distracting us from the principal subject , af- ford great delight by their beauty and va- riety : He scarce had ceas'd , when the superior fiend Was moving toward ...
... necessary to the comparison : they are short episodes , which , without distracting us from the principal subject , af- ford great delight by their beauty and va- riety : He scarce had ceas'd , when the superior fiend Was moving toward ...
Page 55
... necessary to gratify paffion . This is one instance , a- mong many , of the power of paffion to adjust our opinions and belief to its grati- fication * . I give the following examples . Antony , mourning over the body of Cæ- far ...
... necessary to gratify paffion . This is one instance , a- mong many , of the power of paffion to adjust our opinions and belief to its grati- fication * . I give the following examples . Antony , mourning over the body of Cæ- far ...
Page 65
... necessary in poetry . Such terms however are not well adapted to poetry , because they suggest not any image to the mind : I can readily form an image of Alexander or Achilles in wrath ; but I cannot form an image of wrath in the ...
... necessary in poetry . Such terms however are not well adapted to poetry , because they suggest not any image to the mind : I can readily form an image of Alexander or Achilles in wrath ; but I cannot form an image of wrath in the ...
Page 114
... necessary to handle them together : the rules for dif tinguishing the good from the bad , are common to both . We shall therefore pro- ceed to these rules , after adding some ex- amples to illustrate the nature of an allego- ry . Horace ...
... necessary to handle them together : the rules for dif tinguishing the good from the bad , are common to both . We shall therefore pro- ceed to these rules , after adding some ex- amples to illustrate the nature of an allego- ry . Horace ...
Page 121
... necessary to come at the resemblance . A fever , by heating the body , resembles fire ; and it is no stretch to imagine a fever to be a fire . VOL . III . Q Again , Again , by a figure of speech , flame may Sect . VI . 121 FIGURES .
... necessary to come at the resemblance . A fever , by heating the body , resembles fire ; and it is no stretch to imagine a fever to be a fire . VOL . III . Q Again , Again , by a figure of speech , flame may Sect . VI . 121 FIGURES .
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Common terms and phrases
abſtract action Æneid agreeable alſo appears artiſt beauty becauſe beſt betwixt cauſe chap circumſtance cloſe compariſon compoſition confidered courſe deſcribed deſcription diftinguiſhed diſagreeable diſpoſed effect emotions employ'd epic epic poetry expreffion expreſſed expreſſion fame figure of ſpeech fimile firſt fome fuch garden hath houſe Iliad imagination impreffion impreſſion inſtances itſelf ject laſt leſs metaphor mind moſt muſt nature neceſſary obfcure objects obſerved occafion ornament paffion Paradise Lost paſſage paſſion pauſe perſon perſonification pleaſe pleaſure poem preſent principle proper proportion purpoſe raiſed reaſon regularity reliſhed repreſentation repreſented reſemblance reſpect Richard II ſame ſay ſcarce ſcene ſecond ſeen ſenſe ſenſible ſeparately ſeveral ſhall ſhore ſhort ſhould ſhow ſingle ſmall ſome ſpeaking ſpecies ſpectator ſtage ſtandard ſtate ſtep ſtill ſtory ſtrike ſtudied ſubject ſuch ſuggeſts ſuppoſe ſweet ſwells taſte theſe thing thoſe thou tion tragedy uſe whoſe words
Popular passages
Page 178 - Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 15 - Like night, and darken'd all the land of Nile: So numberless were those bad Angels seen Hovering on wing under the cope of Hell, Twixt upper, nether, and surrounding fires...
Page 211 - I'll give my jewels for a set of beads, My gorgeous palace for a hermitage, My gay apparel for an almsman's gown, My...
Page 67 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
Page 12 - And thus still doing, thus he pass'd along. Duch. Alas ! poor Richard ! where rides he the while ? York. As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
Page 17 - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 199 - Should I turn upon the true prince ? Why, thou knowest, I am as valiant as Hercules: but beware instinct; the lion will not touch the true prince. Instinct is a great matter ; I was a coward on instinct.
Page 18 - And higher than that wall a circling row Of goodliest trees, loaden with fairest fruit, Blossoms and fruits at once...
Page 62 - First in his east the glorious lamp was seen, Regent of day, and all th' horizon round Invested with bright rays, jocund to run His longitude through heav'n's high road; the gray Dawn and the Pleiades before him danc'd, Shedding sweet influence...
Page 55 - O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers; Thou art the ruins of the noblest man That ever lived in the tide of times.