Elements of Criticism, Volume 3A. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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Page 77
... caufe of a violent paffion ; in that circumftance , at least , it must be an object of importance , With respect to this point , it would be in vain to set limits to personification : taste is the only rule . A poet of fuperior genius ...
... caufe of a violent paffion ; in that circumftance , at least , it must be an object of importance , With respect to this point , it would be in vain to set limits to personification : taste is the only rule . A poet of fuperior genius ...
Page 102
... caufe . But not to wafte time by making a commentary upon every expreffion of this kind , the best way to give a complete view of the fubject , is to exhibit exhibit a table of the different connections that may give 102 Ch . XX . FIGURES .
... caufe . But not to wafte time by making a commentary upon every expreffion of this kind , the best way to give a complete view of the fubject , is to exhibit exhibit a table of the different connections that may give 102 Ch . XX . FIGURES .
Page 106
... caufe , is not fo agreeable as the oppofite expreffion . The defcent from cause to ef- fect is natural and eafy : the oppofite direc tion resembles retrograde motion Pant ing beight , for example , aftonish'd thought , are ftrained and ...
... caufe , is not fo agreeable as the oppofite expreffion . The defcent from cause to ef- fect is natural and eafy : the oppofite direc tion resembles retrograde motion Pant ing beight , for example , aftonish'd thought , are ftrained and ...
Page 112
... Egypt : thou haft caft out the heathen , and planted it . Thou didft caufe it to take deep root , and it filled the L. 8. cap . 6. fect . 2 . land . ri land . The hills were covered with its fhadowi and 112 Ch . XXX FIGURESA.
... Egypt : thou haft caft out the heathen , and planted it . Thou didft caufe it to take deep root , and it filled the L. 8. cap . 6. fect . 2 . land . ri land . The hills were covered with its fhadowi and 112 Ch . XXX FIGURESA.
Page 142
... caufe for the effect , as boum labores for corn . The relation of refemblance is one plentiful fource of figures of speech ; and nothing is more common than to apply to one object the name of another that re- fembles it in any refpect ...
... caufe for the effect , as boum labores for corn . The relation of refemblance is one plentiful fource of figures of speech ; and nothing is more common than to apply to one object the name of another that re- fembles it in any refpect ...
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Common terms and phrases
abſtract action Æneid againſt agreeable alfo allegory alſo appears beauty becauſe betwixt caufe cauſe cenfured chap circumftance compariſon compofition confidered Cymbeline defcription difagreeable diſtinguiſhed effect effential emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fcene fect feems fenfe fenfible fhall fhould fignify figure fimile fingle firft firſt fize fome fpectator fpeech ftandard ftill fubject fuch fuppofe garden hath Henry IV Henry VI himſelf houſe Iliad imagination impreffion inftances itſelf ject lefs meaſure metaphor mind moſt Mozambic mufic muft muſt nature neceffary obfcure obferved objects occafion oppofite ornament paffage paffing paffion Paradife Loft perfon perfonification pleaſant pleaſure prefent principle proper proportion purpoſe raiſed reafon refpect regularity reliſhed repreſentation repreſented reſemblance Richard II ſcene ſenſe ſome ſtage ſtate ſuch tafte taſte termed thee thefe theſe thing thofe thoſe thou tion tragedy uſe vafes words
Popular passages
Page 178 - Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
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Page 211 - I'll give my jewels for a set of beads, My gorgeous palace for a hermitage, My gay apparel for an almsman's gown, My...
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Page 12 - And thus still doing, thus he pass'd along. Duch. Alas ! poor Richard ! where rides he the while ? York. As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
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Page 199 - Should I turn upon the true prince ? Why, thou knowest, I am as valiant as Hercules: but beware instinct; the lion will not touch the true prince. Instinct is a great matter ; I was a coward on instinct.
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Page 62 - First in his east the glorious lamp was seen, Regent of day, and all th' horizon round Invested with bright rays, jocund to run His longitude through heav'n's high road; the gray Dawn and the Pleiades before him danc'd, Shedding sweet influence...
Page 55 - O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers; Thou art the ruins of the noblest man That ever lived in the tide of times.