Elements of Criticism, Volume 3A. Miller, London; and A. Kincaid & J. Bell, Edinburgh, 1762 |
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Page 65
... fulmine ad umbras , Pallentes umbras Erebi , noctemque profundam , Ante pudor quam te violo , aut tua jura refolvo . Æneid . 4. 1. 24 . VOL . III . I Thus , Thus , to explain the effects of flander , it Sect . I. 65 FIGURES .
... fulmine ad umbras , Pallentes umbras Erebi , noctemque profundam , Ante pudor quam te violo , aut tua jura refolvo . Æneid . 4. 1. 24 . VOL . III . I Thus , Thus , to explain the effects of flander , it Sect . I. 65 FIGURES .
Page 66
... And Shake- fpear perfonifies death and its operations in a manner extremely fanciful ; Æneid . iv . 173 Within the hollow crown That rounds the mortal temples of Within 66 Ch . XX . FIGURES . Thus, to explain the effects of flander, it ...
... And Shake- fpear perfonifies death and its operations in a manner extremely fanciful ; Æneid . iv . 173 Within the hollow crown That rounds the mortal temples of Within 66 Ch . XX . FIGURES . Thus, to explain the effects of flander, it ...
Page 88
... Æneid . ii . 54 . Helena . Poor Lord , is't I That chafe thee from thy country , and expofe Those tender limbs of thine to the event Of non - fparing war ? And is it I That drive thee from the fportive court , where thou Waft shot at ...
... Æneid . ii . 54 . Helena . Poor Lord , is't I That chafe thee from thy country , and expofe Those tender limbs of thine to the event Of non - fparing war ? And is it I That drive thee from the fportive court , where thou Waft shot at ...
Page 91
... Æneid . iii . 42 : Horrificis juxta tonat Ætna ruinis , Interdumque atram prorumpit ad æthera nubem , Turbine fumantem piceo et candente favilla : Attollitque globos flammarum , et fidera lambit . Eneid . iii . 57 ** Speaking of ...
... Æneid . iii . 42 : Horrificis juxta tonat Ætna ruinis , Interdumque atram prorumpit ad æthera nubem , Turbine fumantem piceo et candente favilla : Attollitque globos flammarum , et fidera lambit . Eneid . iii . 57 ** Speaking of ...
Page 147
... Æneid . iii , 200 . There is a peculiar energy in this figure fimilar to that in the former . The figura- tive name denotes the fubject to be an ef fect by suggesting its caufe . 4. Two things being intimately connect- ed , the proper ...
... Æneid . iii , 200 . There is a peculiar energy in this figure fimilar to that in the former . The figura- tive name denotes the fubject to be an ef fect by suggesting its caufe . 4. Two things being intimately connect- ed , the proper ...
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Common terms and phrases
abſtract action Æneid againſt agreeable alfo allegory alſo appears beauty becauſe betwixt caufe cauſe cenfured chap circumftance compariſon compofition confidered Cymbeline defcription difagreeable diſtinguiſhed effect effential emotions employ'd Eneid epic poem epic poetry Euripides expreffed expreffion fame fcene fect feems fenfe fenfible fhall fhould fignify figure fimile fingle firft firſt fize fome fpectator fpeech ftandard ftill fubject fuch fuppofe garden hath Henry IV Henry VI himſelf houſe Iliad imagination impreffion inftances itſelf ject lefs meaſure metaphor mind moſt Mozambic mufic muft muſt nature neceffary obfcure obferved objects occafion oppofite ornament paffage paffing paffion Paradife Loft perfon perfonification pleaſant pleaſure prefent principle proper proportion purpoſe raiſed reafon refpect regularity reliſhed repreſentation repreſented reſemblance Richard II ſcene ſenſe ſome ſtage ſtate ſuch tafte taſte termed thee thefe theſe thing thofe thoſe thou tion tragedy uſe vafes words
Popular passages
Page 178 - Your infants in your arms, and there have sat The livelong day, with patient expectation, To see great POmpey pass the streets of Rome...
Page 15 - Like night, and darken'd all the land of Nile: So numberless were those bad Angels seen Hovering on wing under the cope of Hell, Twixt upper, nether, and surrounding fires...
Page 211 - I'll give my jewels for a set of beads, My gorgeous palace for a hermitage, My gay apparel for an almsman's gown, My...
Page 67 - O gentle sleep, Nature's soft nurse, how have I frighted thee, That thou no more wilt weigh my eyelids down, And steep my senses in forgetfulness...
Page 12 - And thus still doing, thus he pass'd along. Duch. Alas ! poor Richard ! where rides he the while ? York. As in a theatre, the eyes of men, After a well-graced actor leaves the stage, Are idly bent on him that enters next, Thinking his prattle to be tedious : Even so, or with much more contempt, men's eyes Did scowl on Richard ; no man cried, God save him...
Page 17 - Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 199 - Should I turn upon the true prince ? Why, thou knowest, I am as valiant as Hercules: but beware instinct; the lion will not touch the true prince. Instinct is a great matter ; I was a coward on instinct.
Page 18 - And higher than that wall a circling row Of goodliest trees, loaden with fairest fruit, Blossoms and fruits at once...
Page 62 - First in his east the glorious lamp was seen, Regent of day, and all th' horizon round Invested with bright rays, jocund to run His longitude through heav'n's high road; the gray Dawn and the Pleiades before him danc'd, Shedding sweet influence...
Page 55 - O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers; Thou art the ruins of the noblest man That ever lived in the tide of times.