INDE X. 자 [The volumes are denoted by numeral letters, the pages by figures.] A Abstract ideas Bstract idea) defined iii. 402. of different kinds iii. 403. Abstraction) power of iii. 401. Its use iii. 402. 403. Abstract terms) ought to be avoided in poetry i. 294. iii. 198. Cannot be compared but by being per fonified iii. 6. Personified iii. 65. Defined iii. 402. The use of abstract terms iii. 405. d Accent) defined ii. 361. The musical accents that are necessary in an hexameter line ii. 376. A low Rules for ac How far af Accent and pause word must not be accented ii. 405. Action) what feelings are raised by human actions i. 48.49.276. We are impelled to action by defire i. 55. Some actions are ultimate, some are means leading to an end i. 57. Actions great and elevated, low and groveling i. 276. Emotions occafioned by propriety of action ii. 13. Occasioned by impropriety of action ii. 14. Human actions produce a great variety of emotions ii. 28. Human actions considered with respect to dignity and meanness ii. 35. We are conscious of internal action tion as in the head iii. 377. Internal action may Admiration) defined i. 320. Affection) to children accounted for i. 82. To blood- Agamemnon) of Seneca censured ii. 193. Allegory iii. 108. &c. More difficult in painting than in poetry iii. 129. In an historical poem iii. 248. All for Love) of Dryden censured ii. 202. Amynta) of Tasso censured ii. 167. Amphibrachys ii. 460. Amphimacer ii. 460. Analytic) and synthetic methods of reasoning compa- red i. 31. Anapæstus ii. 460. Anger) explained i. 95. &c. Sometimes exerted a- gainst the innocent i. 191. dignity in it ii. 33- Animals) Antibacchius ii. 460. Anticlimax ii. 345. と Antispastus ii. 461. Antithesis ii. 73. 262. Verbal antithesis ii. 268. Apoftrophe iii. 87. &c. Appearance) in poetry, things ought to be described as they appear, not as they are in reality iii. 172. Appetite) defined i. 59. Appetites of hunger, thirst, animal love, arise without an object i. 73. Appetite for fame or esteem i. 237. Architecture ch. 24. iii. 294. Grandeur of manner in architecture i. 294. The situation of a great house ought to be lofty ii. 7. A playhouse or a mufic-room fufceptible of much ornament ii. 9. What emotions can be raised by architecture iii. 297. Its emotions compared with those of gardening iii. 297. Every building ought to have an expreffion fuited to its destination iii. 298. 338. Simplicity ought to be the governing tafte iii. 300. Regularity ought to be studied iii. 301. External form of dwelling-houses iii. 324. Divisions within iii. 324. 340. A palace ought to be regular, but in a small house convenience ought chiefly to be studied iii. 326. The form of a dwelling-houfe ought to be suited to the climate iii. 327. Pro priety ought to be studied in architecture iii. 338. Governed by principles which produce oppofite ef fects iii. 342. Different ornaments employed by it iii. 342. Allegorical or emblematic ornaments iii. 347. Architecture inspires a taste for neatness and regularity iii. 350. VOL. III. 3 F Archi Architrave iii. 344. Ariosto) censured iii. 264. Aristæus) the episode of Aristæus in the Georgics cenfured ii. 457. Army) defined iii. 405. Arrangement) the best arrangement of words is to place them as much as possible in an increasing se- Articulate sounds) how far agreeable to the ear ii. 240. Artificial mount iii. 313. Afcent) pleasant, but defcent not painful i. 273. Athalie) of Racine censured ii. 193. Attention) defined iii. 396. Impression which objects make depends on the degree of attention iii. 396. Attractive emotions ii. 133. Attributes) transferred from one subject to another iii. 100. &c. Avarice) defined i. 52. ま Avenue) to a house iii. 312. Bacchius ii. 460. Barren scene) defined iii. 266. Baflo-relievo iii. 347. Batrachomuomachia) censured ii. 42. Beauty, ch. 3. i. 241. Intrinfic and relative i. 244. Beauty of fimplicity i. 247. of figure i. 248. of the circle i. 251. of the square i. 251. of a regu- lar polygon i. 252. of a parallelogram i. 252. of Belief) fortified by a lively narrative or a good histo- Benevolence) joins with self-love to make us happy i. Bombast i. 303. Bombast in action i. 308. Cadence ii. 348. 362. Capital) of a column iii. 346. Careless Husband) its double plot well contrived iii. 253. Cascade i. 314. Cause) resembling causes may produce effects that Chance) the mind revolts against misfortunes that hap- Character) to draw a character is the master-piece of 3 F2 Characteristics) |