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admiration afterwards Allan appearance artist beautiful Blind Fiddler British brother brought Burnet called character Chelsea collection colour commission complete criticism Cults David death drawing drawn Duke Edinburgh effect engaged Engraving excellent Exhibition expression fact father figure followed Gallery genius genre guineas hand Haydon head historical illustrations interest Italy John kind King Lady landscape later less letter London look Lord manner masters mind Mulgrave nature never observed once Original painter painting picture piece Pitlessie Fair portrait praise present qualities Reading regarding remarkable Rent represented Rome Royal Academy says scene Scotland Scott Scottish seen Sir David Sir George Beaumont sketches Spanish story student style success suggested thought tion touch turned Village Village Politicians Wilkie Wilkie's wished wrote young
Page 202 - The Clouds that gather round the setting sun Do take a sober colouring from an eye That hath kept watch o'er man's mortality; Another race hath been, and other palms are won.
Page 37 - GREAT spirits now on earth are sojourning ; He of the cloud, the cataract, the lake, Who on Helvellyn's summit, wide awake, Catches his freshness from Archangel's wing : He of the rose, the violet, the spring, The social smile, the chain for Freedom's sake : And lo!
Page 171 - Gul in her bloom ; Where the citron and olive are fairest of fruit ; And the voice of the nightingale never is mute ; Where the tints of the earth, and the hues of the sky, In colour though varied, in beauty may vie...
Page 45 - I doubt not that you will share with me an invincible confidence that my writings (and among them these little poems) will co-operate with the benign tendencies in human nature and society, wherever found ; and that they will, in their degree, be efficacious in making men wiser, better, and happier.
Page 42 - A young man by the name of Wilkie, a Scotchman, has a very extraordinary work.' I was in the clouds, hurried over my breakfast, rushed away, met Jackson who joined me, and we both bolted into Wilkie's room. I roared out : ' Wilkie, my boy, your name's in the paper! ' ' Is it rea-al-ly,
Page 126 - Velasquez and Murillo are preferred, and preferred with reason, to all the others, as the most original and characteristic of their school. These two great painters are remarkable for having lived in the same time, in the same school, painted from the same people, and of the same age, and yet to have formed two styles so different and opposite, that the most unlearned can scarcely mistake them ; •Murillo being all softness, while Velasquez is all sparkle and vivacity.
Page 44 - Two Voices are there; one is of the Sea, One of the Mountains; each a mighty Voice: In both from age to age Thou didst rejoice, They were thy chosen Music, Liberty!
Page 198 - Newton. But you were very silent. Wilkie. Raily? Newton. In fact, you said but one word. Wilkie. Raily? Newton. There it goes again ! Why, Dawvid, you never do say anything but raily. Wilkie. Raily!
Page 175 - The walls which encompass Jerusalem on every side, are higher and more superb than any city walls I have ever seen. The square towers of her gates recall those of Windsor castle ; while their lengthened elevation, with the spires and cupolas they enclose, would have arrested the Poussins and Claudes in preference to all other cities. Her streets are stone-built, massive, surmounted by arches, through which the solemn vista claims the painter's art, though by that art still unknown and unrepresented...
Page 164 - Having been accustomed to see the Queen from a child, my reception had a little the air of that of an early acquaintance. She is eminently beautiful, her features nicely formed, her skin smooth, her hair worn close to her face in a most simple way, glossy and clean-looking. Her manner, though trained to act the Sovereign, is yet simple and natural.