Dualities in Shakespeare

accept action Angelo Antony Antony's appears appropriate aspects associated attitude audience authority beauty become blood body bring Caesar calls characters Cleopatra concepts concerned critical darkness death desire difference divine doth duality Duke elements Elizabethan especially evil example excess expressed eyes final follows folly forces function give grace hand hath heart honour human ideal indicated Juliet justice king Lady language later less light lines London lost lovers Macbeth means Measure merely mind moral nature night opening opposite parallel particular passion pattern perhaps physical play political present Press reason reconciliation reference regarded Renaissance Romeo scene seems sense sexual Shakespeare situation sometimes Sonnet soul speech spiritual suggests symbol Temperance thee theme things thou tion tradition tragedy tragic true truth turn University virtue witchcraft witches