Journal of Mediterranean Studies, Volume 6Mediterranean Institute, University of Malta, 1996 |
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Page 77
... example , in one or two lines : Ikkorda , ħanini , ikkorda ! Smajt tisfira f'nofs ta ' baħar Kien namur ta ' żewġ ħutiet ' Tune the guitar , beloved , tune it ! ' I heard a whistle in the midst of the sea The wooing whistle of two ...
... example , in one or two lines : Ikkorda , ħanini , ikkorda ! Smajt tisfira f'nofs ta ' baħar Kien namur ta ' żewġ ħutiet ' Tune the guitar , beloved , tune it ! ' I heard a whistle in the midst of the sea The wooing whistle of two ...
Page 199
... example ' of uncertain origin at the National Museum of Archaeology in Valletta ( Culican 1970 : 7 ) . Next to these ... example n ° 1 can be classified as type 6151 , example n ° 2 type 5231 , no3 type 5112 and finally no4 as type 4151 ...
... example ' of uncertain origin at the National Museum of Archaeology in Valletta ( Culican 1970 : 7 ) . Next to these ... example n ° 1 can be classified as type 6151 , example n ° 2 type 5231 , no3 type 5112 and finally no4 as type 4151 ...
Page 201
... examples of an indefinite Rabat area origin are presented . The left example is obviously the same as mentioned by Baldacchino ( 1953 ) . The other might be the piece mentioned by Culican ( 1970 ) . 9. Aubet 1981 , nr . 13 & 14 . 10 ...
... examples of an indefinite Rabat area origin are presented . The left example is obviously the same as mentioned by Baldacchino ( 1953 ) . The other might be the piece mentioned by Culican ( 1970 ) . 9. Aubet 1981 , nr . 13 & 14 . 10 ...
Contents
Journal of Mediterranean Studies | 1 |
The Epic Poet in Egyptian Tradition | 7 |
Ethics and Aesthetics | 15 |
Copyright | |
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