Shakspere, Personal RecollectionsDigiCat, 2022 M09 16 - 182 pages John A. Joyce's 'Shakspere, Personal Recollections' crafts a narrative that delves into the imagined personal insights and accounts surrounding the life and work of the renowned English playwright, William Shakespeare. Joyce's work is an intriguing amalgamation of historical fiction and biography, taking readers on a journey through a richly textured literary world, reminiscent of the Elizabethan era's linguistic cadence. The book is not only a homage to the Bard's legacy but also serves as a speculative exploration of the man behind the quill. Its style is creatively anachronistic, casting modern sensibilities into the framework of the past, and serves as an important piece within the context of Shakespearean scholarship and the broader canon of literature that seeks to unveil the enigmatic figures of history. John A. Joyce was a writer deeply fascinated by Shakespeare's influence on the English language and literary culture. His ambition in creating 'Shakspere, Personal Recollections' may have been driven by a desire to humanize a figure who often exists beyond the personal reach of historical records. His attempt to blend fact with imaginative conjecture creates a portrait of Shakespeare that invites readers to ponder the personal dimensions of his life and artistry. Joyce's background and his own experiences may have led him to bridge the gap between Shakespeare the icon and the likely realities of his human experience. For those enwrapped by the enduring mystery of William Shakespeare's personal history, Joyce's book is a noteworthy endeavor that deserves attention. Filled with vivid imagery and a narrative that seeks to bring readers closer to understanding the man behind the myth, 'Shakspere, Personal Recollections' is recommended for literary enthusiasts who appreciate speculative biography. Scholars and lay readers alike may find Joyce's literary venture both enlightening and entertaining, as it provides an imaginative window into an era that continues to fascinate the contemporary imagination. |
From inside the book
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... took color and force from every object he touched. The draughts he took from the deep flowing wells of nature made no diminution in the volume of his thought, that rushed through his seething brain like an underground cataract filled ...
... took color and force from every object he touched. The draughts he took from the deep flowing wells of nature made no diminution in the volume of his thought, that rushed through his seething brain like an underground cataract filled ...
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... took place in Warwickshire County, in July, 1575. All England was alive to the grand entrance of Queen Elizabeth to Kenilworth Castle, as the royal guest of her favorite, Robert Dudley, Earl of Leicester. Proclamation had gone forth ...
... took place in Warwickshire County, in July, 1575. All England was alive to the grand entrance of Queen Elizabeth to Kenilworth Castle, as the royal guest of her favorite, Robert Dudley, Earl of Leicester. Proclamation had gone forth ...
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... took part in several of the joint circus and theatrical performances, and at the conclusion of one of the plays —"Virtue Victorious," Queen Elizabeth called up William and a purple page named Francis Bacon, patted them on the head with ...
... took part in several of the joint circus and theatrical performances, and at the conclusion of one of the plays —"Virtue Victorious," Queen Elizabeth called up William and a purple page named Francis Bacon, patted them on the head with ...
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... took a leading part in every play, poem and declamation, but when an encore was given and a demand for a recitation on love, Will was in his natural element and gave the eager audience dashes from Ovid's Metamorphoses or Petrarch's ...
... took a leading part in every play, poem and declamation, but when an encore was given and a demand for a recitation on love, Will was in his natural element and gave the eager audience dashes from Ovid's Metamorphoses or Petrarch's ...
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... took a particular liking to the push and go of Anne, and she seemed to concentrate her gaze on his robust form at first sight. William asked me, as the friend of the family, to introduce him to Miss Hathaway, which I did in my best ...
... took a particular liking to the push and go of Anne, and she seemed to concentrate her gaze on his robust form at first sight. William asked me, as the friend of the family, to introduce him to Miss Hathaway, which I did in my best ...
Contents
the painter finds colors of heavenly hues the musician finds seraphic | |
CHAPTER X | |
CHAPTER XI | |
CHAPTER XIV | |
CHAPTER XVII | |
CHAPTER XVIII | |
CHAPTER XIX | |
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Common terms and phrases
actors Antonio audience authors Bard beauty blood boys Brutus Burbage Cæsar called Cassius cheers Christian church Contents crown daughter death divine doth dream earth Elizabeth England exclaims eyes face fair father Field flowers fool forest gave girls give glory grand greatest Hamlet hand hath head hear heard heart heaven hills honor hour human Italy Juliet King ladies land leave light live lofty London look lords mankind mind morning moving murder nature never night once passed passion philosopher play poet Portia Prince Queen replies Romeo royal says seemed Shakspere Shylock sing sleep soul speak spirit stage stand stars Stratford sweet tavern tell theatrical thee thou thought thousand took town true turned wife wild William wonder young