Essays on the Nature and Principles of Taste, Volume 1Cummings and Hilliard, 1812 - 434 pages |
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Page iii
... produced a similar division of this emotion , into the EMOTION of SUBLIMITY and the EMOTION of BEAUTY . The qualities that produce these emotions , are to be found in almost every class of the objects of human knowledge , and the ...
... produced a similar division of this emotion , into the EMOTION of SUBLIMITY and the EMOTION of BEAUTY . The qualities that produce these emotions , are to be found in almost every class of the objects of human knowledge , and the ...
Page iv
... produced ; and when we seek to dis- cover them , we have no other method of discovery , than that varied and patient ... produce the emotions of TASTE : And , II . To investigate the NATURE of that FACULTY , by which these emotions are ...
... produced ; and when we seek to dis- cover them , we have no other method of discovery , than that varied and patient ... produce the emotions of TASTE : And , II . To investigate the NATURE of that FACULTY , by which these emotions are ...
Page v
... produced on our minds , when the emotions of taste are felt , and can precise- ly distinguish it from the effects that are ... produce the emotions of taste , or the nature of the faculty by which they are received , will be exactly ...
... produced on our minds , when the emotions of taste are felt , and can precise- ly distinguish it from the effects that are ... produce the emotions of taste , or the nature of the faculty by which they are received , will be exactly ...
Page vii
... produced them . If the success of these long and varied inquiries has not corresponded to the genius or the industry of the philosophers who have pursued them , a suspicion may arise that there has been something faulty in the principle ...
... produced them . If the success of these long and varied inquiries has not corresponded to the genius or the industry of the philosophers who have pursued them , a suspicion may arise that there has been something faulty in the principle ...
Page viii
... produced in REAL NATURE , and by what means it may be produced in the compositions of ART , 2. There is a distinction in the effects produced upon viii INTRODUCTION .
... produced in REAL NATURE , and by what means it may be produced in the compositions of ART , 2. There is a distinction in the effects produced upon viii INTRODUCTION .
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Common terms and phrases
2dly accordingly admiration altogether amid animals appear arises artist asso associations attend attitude or gesture beau beautiful form beauty of forms beauty or sublimity cause character cheerful circumstances colours common composition composition of sounds connexion considered constitution contrary degree delicacy delight dispositions distinguished effect emotion of beauty emotions of sublimity emotions of taste excite experience expres feel felt fitness gaiety Georgics grace greater human countenance human form human voice ideas illustrations images imitation instance kind language mankind manner melancholy musical composition nature objects observation obvious opinion original painful particular passions peculiar perceive perhaps permanent pleasing or interesting pleasure poet poetry pression principle produce the emotions proportion propriety qualities of mind reader regard relation rusal scene scenery seems sense sensibility significant signs similar simple emotion sion sounds species sublimity and beauty sublimity or beauty tion tone trains of thought ture uniformity variety
Popular passages
Page 119 - Now entertain conjecture of a time, When creeping murmur, and the poring dark, Fills the wide vessel of the universe. From camp to camp, through the foul womb of night, The hum of either army stilly sounds, That the fix'd sentinels almost receive The secret whispers of each other's watch...
Page 89 - The pipe of early shepherd dim descried In the lone valley ; echoing far and wide The clamorous horn along the cliffs above ; The hollow murmur of the ocean-tide ; The hum of bees, the linnet's lay of love, And the full choir that wakes the universal grove.
Page 89 - The current, that with gentle murmur glides, Thou know'st, being stopp'd, impatiently doth rage; But, when his fair course is not hindered, He makes sweet music with the enamell'd stones, Giving a gentle kiss to every sedge He overtaketh in his pilgrimage, And so by many winding nooks he strays, With willing sport, to- the wild ocean.
Page 39 - The sober herd that lowed to meet their young, The noisy geese that gabbled o'er the pool, The playful children just let loose from school , The watchdog's voice that bayed the whispering wind, And the loud laugh that spoke the vacant mind...
Page 43 - Ocean itself no longer can resist The binding fury; but, in all its rage Of tempest, taken by the boundless frost, Is many a fathom to the bottom chained, And bid to roar no more...
Page 46 - Though rooted deep as high, and sturdiest oaks, Bow'd their stiff necks, loaden with stormy blasts, Or torn up sheer.
Page 39 - The mingling notes came soften'd from below ; The swain responsive as the milk-maid sung, The sober herd that low'd to meet their young ; The noisy geese that gabbled o'er the pool, The playful children just let loose from school ; The...
Page 118 - And, behold, the Lord passed by, and a great and strong wind rent the mountains, and brake in pieces the rocks before the Lord ; but the Lord was not in the wind : and after the wind an earthquake ; but the Lord was not in the earthquake: And after the earthquake a fire ; but the Lord was not in the fire: and after the fire a still small voice. And it was so, when Elijah heard it, that he wrapped his face in his mantle, and went out, and stood in the entering in of the cave. And, behold, there came...
Page 119 - The hum of either army stilly sounds, That the fix'd sentinels almost receive The secret whispers of each other's watch: Fire answers fire; and through their paly flames Each battle sees the other's umber'd face: Steed threatens steed, in high and boastful neighs Piercing the night's dull ear; and from the tents, The armourers, accomplishing the knights, With busy hammers closing rivets up, Give dreadful note of preparation.
Page 410 - We are disgusted with that clamorous grief, which, without any delicacy, calls upon our compassion with sighs and tears, and importunate lamentations. But we reverence that reserved, that silent and majestic sorrow, which discovers itself only in the swelling of the eyes, in the quivering of the lips and cheeks, and in the distant, but affecting, coldness of the whole behaviour. It imposes the like silence upon us.