Theatre and SongPeter Davison, Rolf Meyersohn, Edward Shils Chadwyck-Healey, 1978 - 279 pages |
Contents
Shakespeare and the Popular Dramatic Tradition by S L Bethell | 8-3 |
Pantomime by John Shand | 8-159 |
Music Halls by John Shand | 8-167 |
Copyright | |
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accept actor actual Adorno Antony and Cleopatra artists attention attitude audience ballad Britannia burlesque character Claudius comedy comic consciousness contemporary conventional conventionalism Cressida criticism culture dialogue Dover Wilson dual consciousness dumb-show Elizabethan England English example experience expressed Falstaff feeling film George Formby glamor Gorboduc Hamlet human Iago individual interpretation jazz jitterbug King King Claudius Lear listener lyricist Macbeth mass means melody mind modern multi-consciousness music hall music-hall music-hall song naturalistic nature never night Othello pantomime passage patriotic song performance Peter Davison play Player's speech players plugging poetic poetry popular drama popular music popular song present production Professor Schücking psychological recognition reference Roman scene serious music Shakespeare significance sing social speak stage standardization story suggestion symbolic taste theatre theme thought tion tradition tragedy Troilus Troilus and Cressida unconscious Variety Theater verse whole Wilson Knight words writing