King LearRandom House Publishing Group, 2013 M06 12 - 352 pages A king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
From inside the book
Page x
... there was a king who had three daughters .... " Yet Shake- speare arouses romantic expectation only to crush it by abort- ing the conventional happy ending , setting up a dramatic tension between an idealized world of make - believe and ...
... there was a king who had three daughters .... " Yet Shake- speare arouses romantic expectation only to crush it by abort- ing the conventional happy ending , setting up a dramatic tension between an idealized world of make - believe and ...
Page xvii
... there is the sulfurous pit , burning , scalding , stench , consumption . Fie , fie , fie ! Pah , pah ! " ) combine with a destruc- tive self - hatred ( 4.6.124-30 ) . All these inversions and polarizations are subsumed in the inversion ...
... there is the sulfurous pit , burning , scalding , stench , consumption . Fie , fie , fie ! Pah , pah ! " ) combine with a destruc- tive self - hatred ( 4.6.124-30 ) . All these inversions and polarizations are subsumed in the inversion ...
Page xxiv
... There were , to be sure , some attempts to resist the awesome popularity of Tate's version . Garrick restored a good deal of Shakespeare's language in 1756 , especially at the start of the play , fitting Edmund's soliloquy in its usual ...
... There were , to be sure , some attempts to resist the awesome popularity of Tate's version . Garrick restored a good deal of Shakespeare's language in 1756 , especially at the start of the play , fitting Edmund's soliloquy in its usual ...
Page xxx
... there's nothing epic or mythic about the play , " said Miller , " in exactly the same way that I don't think there's anything cosmic about it , " and from that perception Miller turned the play from an archetypal human tragedy to a ...
... there's nothing epic or mythic about the play , " said Miller , " in exactly the same way that I don't think there's anything cosmic about it , " and from that perception Miller turned the play from an archetypal human tragedy to a ...
Page xxxi
... there until scene 4 when Lear ar- rives in Gloucestershire to find him still enfettered ; in the in- terim , scene 3 , Kent has slumbered while Edgar comes onstage in a presumably different though nearby location . Visual con- ventions ...
... there until scene 4 when Lear ar- rives in Gloucestershire to find him still enfettered ; in the in- terim , scene 3 , Kent has slumbered while Edgar comes onstage in a presumably different though nearby location . Visual con- ventions ...
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Common terms and phrases
Alack ALBANY Albany's bastard blind brother Burgundy Charles Dickens Child Rowland Cordelia CORNWALL D. H. Lawrence daughters dear death disguised doth Dover Duke Duke of Cornwall Edith Wharton Edmund Enter Edgar Enter Lear Exeunt Exit eyes father fear film flatter folio follow FOOL fortune France Fyodor Dostoevsky GENTLEMAN give Gloucester's gods Goneril Goneril and Regan grace hast hath hear heart heavens honor i'th Jane Austen justice KENT King Lear kingdom knave Lear's Leir Leonatus letter lord madam master means MESSENGER nature never night noble nuncle o'th Perillus pity play play's Plexirtus poor pray prince quarto RAGAN REGAN royal scene servants Shakespeare sister Skalliger speak stage stand storm Stratford-upon-Avon suffering sword Telenor tell theater thee There's thine thou art traitor trumpet unto villain wicked sisters William Shakespeare wretched