King LearRandom House Publishing Group, 2013 M06 12 - 352 pages A king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Page xviii
... quarto of 1608 and the considerably changed folio version of 1623. Similar disparities appear in Hamlet, Othello, Troilus and Cressicla, Henry IV Part ll, and a number of other plays, but the problem is especially acute in King Lear ...
... quarto of 1608 and the considerably changed folio version of 1623. Similar disparities appear in Hamlet, Othello, Troilus and Cressicla, Henry IV Part ll, and a number of other plays, but the problem is especially acute in King Lear ...
Page xix
... quarto or folio is to lose important material that is unquestionably Shakespeare's. To print two or even three ... quarto along with some quarto readings where the folio version seems less textually reliable, is in a sense a compromise ...
... quarto or folio is to lose important material that is unquestionably Shakespeare's. To print two or even three ... quarto along with some quarto readings where the folio version seems less textually reliable, is in a sense a compromise ...
Page xxiii
... quarto texts that was probably never staged in Shakespeare's day) enabled audiences to see the distressing scenes that had so long remained unknown in the theater. Harcourt \X/illiams's production at the Old Vic in 1931, with ]ohn ...
... quarto texts that was probably never staged in Shakespeare's day) enabled audiences to see the distressing scenes that had so long remained unknown in the theater. Harcourt \X/illiams's production at the Old Vic in 1931, with ]ohn ...
Page xxv
... quarto and folio of most productions) though, pressured by a number of the actors, he did use the quarto's mock trial scene. ]ohn Wood's Lear was almost ludic in his madness, finding in his loss of reason a merciful freedom from the ...
... quarto and folio of most productions) though, pressured by a number of the actors, he did use the quarto's mock trial scene. ]ohn Wood's Lear was almost ludic in his madness, finding in his loss of reason a merciful freedom from the ...
Page 3
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Common terms and phrases
Alack ALBANY bastard blind brother Burgundy Charles Dickens Child Rowland Cordelia CORNWALL D. H. Lawrence daughters dear death disguised doth Dover Duke Duke of Cornwall Edith Wharton Edmund Enter Edgar Enter Lear Exeunt Exit eyes father fear film flatter folio follow FOOL fortune France Fyodor Dostoevsky GENTLEMAN give Gloucester's gods GONERIL Goneril and Regan grace hast hath hear heart heavens honor horse i'th Jane Austen justice KENT King Lear kingdom knave Lear's Leir Leonatus letter lord madam master means MESSENGER nature never night noble nuncle Perillus pity play play's Plexirtus poor pray princes quarto RAGAN REGAN royal scene servants Shakespeare sister Skalliger speak stage stand storm Stratford-upon-Avon suffering sword Telenor tell theater thee There's thine thou art traitor trumpet unto villain wicked sisters William Shakespeare wretched