King LearA king foolishly divides his kingdom between his scheming two oldest daughters and estranges himself from the daughter who loves him. So begins this profoundly moving and disturbing tragedy that, perhaps more than any other work in literature, challenges the notion of a coherent and just universe. The king and others pay dearly for their shortcomings–as madness, murder, and the anguish of insight and forgiveness that arrive too late combine to make this an all-embracing tragedy of evil and suffering. Each Edition Includes: • Comprehensive explanatory notes • Vivid introductions and the most up-to-date scholarship • Clear, modernized spelling and punctuation, enabling contemporary readers to understand the Elizabethan English • Completely updated, detailed bibliographies and performance histories • An interpretive essay on film adaptations of the play, along with an extensive filmography |
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Page v
Few plays other than Hamlet and Macbeth approach King Lear in evoking the wretchedness of human existence, and even they cannot match the devastating spectacle of the Earl of Gloucester blinded or Cordelia dead in Lear's arms.
Few plays other than Hamlet and Macbeth approach King Lear in evoking the wretchedness of human existence, and even they cannot match the devastating spectacle of the Earl of Gloucester blinded or Cordelia dead in Lear's arms.
Page vi
(Cordelia, as his st ssor, is later dethroned and murdered by her wicked nephews, but that is another story.) Sixteenth-century Tudor versions of the Lear story with which Shakespeare was familiar—]ohn I-liggins's account in The First ...
(Cordelia, as his st ssor, is later dethroned and murdered by her wicked nephews, but that is another story.) Sixteenth-century Tudor versions of the Lear story with which Shakespeare was familiar—]ohn I-liggins's account in The First ...
Page vii
The links and parallels between the two plots are established on a narrative level early in the play and continue to the end. King Lear misjudges his children and disinherits his loving daughter Cordelia in favor of her duplicitous ...
The links and parallels between the two plots are established on a narrative level early in the play and continue to the end. King Lear misjudges his children and disinherits his loving daughter Cordelia in favor of her duplicitous ...
Page viii
The King of France is in part a hero out of romance, who makes selfless choices and rescues the heroine Cordelia from her distress; yet his motive must also be appraised in the context of a bitter struggle for power.
The King of France is in part a hero out of romance, who makes selfless choices and rescues the heroine Cordelia from her distress; yet his motive must also be appraised in the context of a bitter struggle for power.
Page ix
The “unrealistic" contrast between Cordelia and her wicked sisters, or between Edgar and Edmund, is something we accept as a convention of storytelling, because it expresses vividly the psychic truth of rivalry between brothers and ...
The “unrealistic" contrast between Cordelia and her wicked sisters, or between Edgar and Edmund, is something we accept as a convention of storytelling, because it expresses vividly the psychic truth of rivalry between brothers and ...
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LibraryThing Review
User Review - DinadansFriend - LibraryThingNot my favourite play, but I did read it for completeness. A king, worn down by the trammells of office, divides his domain among his children and suffers from the flaws in his parenting. He is ... Read full review
LibraryThing Review
User Review - thornton37814 - LibraryThingThis full-cast audio recording tells the story of King Lear who unwisely divided his inheritance based on his perception of how much each daughter loved him. We see how this leads to a life of ... Read full review
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Common terms and phrases
Alack ALBANY bastard blind brother Burgundy Charles Dickens Child Rowland Cordelia CORNWALL D. H. Lawrence daughters dear death disguised doth Dover Duke Duke of Cornwall Edith Wharton Edmund Enter Edgar Enter Lear Exeunt Exit eyes father fear film flatter folio follow FOOL fortune France Fyodor Dostoevsky GENTLEMAN give Gloucester's gods GONERIL Goneril and Regan grace hast hath hear heart heavens honor horse i'th Jane Austen justice KENT King Lear kingdom knave Lear's Leir Leonatus letter lord madam master means MESSENGER nature never night noble nuncle Perillus pity play play's Plexirtus poor pray princes quarto RAGAN REGAN royal scene servants Shakespeare sister Skalliger speak stage stand storm Stratford-upon-Avon suffering sword Telenor tell theater thee There's thine thou art traitor trumpet unto villain wicked sisters William Shakespeare wretched