The Image of the BaroqueAldo D. Scaglione, Gianni Eugenio Viola P. Lang, 1995 - 240 pages In the ongoing attempt to offer new interpretations of cultural phenomena, the Baroque is not one of the most frequently discussed periods, but we can easily agree that it merits new attention. Most of the essays contained in this volume are interdisciplinary; in particular, they integrate literary, ideological, social, and artistic dimensions. Others aim to contribute to a sharper definition of this rather elusive phenomenon. |
Contents
Humanism vs Universalism | 1 |
The Metamorphoses of Adonis | 61 |
Góngora and His Readers | 109 |
Copyright | |
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Adone Adonis Adonis's Alvida analogy Barocco baroque Birken Book canto Castellani century Cinquecento Ciro classical Columbus Comenius Comenius's Crashaw critical culture Dach darkness death divine Don Luis edition epic epistle example expression Firenze flower Garcilaso genre German baroque poets Giovan Battista Marino Giovanni Heliodoro holistic human humanistic images Italian Jesuits Johann John Amos Comenius Königsberg L'Adone language Laterza Latin letteratura light lines literary literature London Lope de Vega López Luis de Góngora lyric Madrid Magdalen mannerist manuscript Marino McLuhan ment metamorphosis metaphor metonymy Milano Milton misreading modern mondo myth nature painting Pedro Espinosa Pellicer poem poet's poetic poetry Pozzi printed published Pyramus and Thisbe reader Rembrandt Renaissance rhetorical seventeenth-century Sigmund von Birken silva Simon Dach Soledad sonnet Sor Juana soul story Studi Tagebücher teatro theme tion Titian Torino Torquato Tasso Torrismondo tradition tragedy trans University Press Venus verse visual words write York Ziesemer