King LearSimon and Schuster, 2011 M08 23 - 384 pages Shakespeare’s King Lear challenges us with the magnitude, intensity, and sheer duration of the pain that it represents. Its figures harden their hearts, engage in violence, or try to alleviate the suffering of others. Lear himself rages until his sanity cracks. What, then, keeps bringing us back to King Lear? For all the force of its language, King Lear is almost equally powerful when translated, suggesting that it is the story, in large part, that draws us to the play. The play tells us about families struggling between greed and cruelty, on the one hand, and support and consolation, on the other. Emotions are extreme, magnified to gigantic proportions. We also see old age portrayed in all its vulnerability, pride, and, perhaps, wisdom—one reason this most devastating of Shakespeare’s tragedies is also perhaps his most moving. The authoritative edition of King Lear from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -The exact text of the printed book for easy cross-reference -Hundreds of hypertext links for instant navigation -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading Essay by Susan Snyder The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu. |
From inside the book
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Page ix
... hand, the early forms in which Shakespeare's plays were first published and, on the other hand, the forms in which editors through the centuries have presented them. In response to this interest, we have based our edition on what we ...
... hand, the early forms in which Shakespeare's plays were first published and, on the other hand, the forms in which editors through the centuries have presented them. In response to this interest, we have based our edition on what we ...
Page xiii
... Lear that, in large part, draws us to the play. Within Lear are stories of two families, each caught up in a struggle between greed and cruelty, xiii King Lear xiv on the one hand, and support and Shakespeare's King Lear.
... Lear that, in large part, draws us to the play. Within Lear are stories of two families, each caught up in a struggle between greed and cruelty, xiii King Lear xiv on the one hand, and support and Shakespeare's King Lear.
Page xiv
... hand, and support and consolation on the other. Each family is centered in an aging father, one an imperious near-tyrant, the other a gullible sensualist, each of whom sees his children through a distorted lens and, turning against the ...
... hand, and support and consolation on the other. Each family is centered in an aging father, one an imperious near-tyrant, the other a gullible sensualist, each of whom sees his children through a distorted lens and, turning against the ...
Page xv
... hand) until the puzzles are solved and the lines yield up their poetry and the characters speak in words and phrases that are, suddenly, rewarding and wonderfully memorable. King Lear xvi Shakespeare's Words As you begin to read ...
... hand) until the puzzles are solved and the lines yield up their poetry and the characters speak in words and phrases that are, suddenly, rewarding and wonderfully memorable. King Lear xvi Shakespeare's Words As you begin to read ...
Page xxiv
... handsome,” so that Kent's words say both that the outcome is fitting and the offspring attractive. In a more serious passage near the end of the same scene, Cordelia leaves her sisters with the statement “Time shall unfold what ...
... handsome,” so that Kent's words say both that the outcome is fitting and the offspring attractive. In a more serious passage near the end of the same scene, Cordelia leaves her sisters with the statement “Time shall unfold what ...
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Common terms and phrases
action actors ALBANY answer appear arms attend bear begin bring comes Cordelia CORNWALL course daughter death dost Dover Draw Duke earlier EDGAR edition Edmund Enter example exits eyes F corr father fear Folio follow Fool fortune France further give GLOUCESTER Gloucester’s gods Goneril grace hand hast hath head hear heart hold honor keep KENT kind King Lear ACT language Lear’s less letter lines live London look lord madam master means messenger nature never night notes OSWALD perhaps plays poor Pray present printed Q1 corr Q1 uncorr quartos readers reading REGAN scene SD F seek seems sentence servant Shakespeare’s shows sister speak speech stage stand suffering tell theater thee thing thou thought true turn wind