King LearBristol Classical Press, 1987 - 247 pages |
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Page 105
... opening with Tate's text , switched to Shakespeare at this point , in order , perhaps , to include Edmund's speech 11. 43-55 , and then went back to Tate ; Charles Kean and Irving , on the other hand , cut that speech from 11. 44-47 ...
... opening with Tate's text , switched to Shakespeare at this point , in order , perhaps , to include Edmund's speech 11. 43-55 , and then went back to Tate ; Charles Kean and Irving , on the other hand , cut that speech from 11. 44-47 ...
Page 203
... opening arms to admit Edgar . Komisarjevsky , whose productions leant heavily on beauti- ful stage pictures of a different kind , echoed his opening effect here by using the huge daffodil - like trumpets that had heralded Lear's entry ...
... opening arms to admit Edgar . Komisarjevsky , whose productions leant heavily on beauti- ful stage pictures of a different kind , echoed his opening effect here by using the huge daffodil - like trumpets that had heralded Lear's entry ...
Page 221
... opening , as did the text Garrick eventually evolved for himself ; but J.P. Kemble and Edmund Kean both went back to Tate's quite different opening for the play . Its purpose is to set up a clearcut and recognisable action , with ...
... opening , as did the text Garrick eventually evolved for himself ; but J.P. Kemble and Edmund Kean both went back to Tate's quite different opening for the play . Its purpose is to set up a clearcut and recognisable action , with ...
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Common terms and phrases
action actor ALBANY appear arms audience Barker began Byrne carried century Charles Kean comes Cordelia CORNWALL court critics daughters death direction Edgar Edmund Kean effect Enter entry Exeunt Exit expression eyes face father feel final followed Fool France Garrick gave Gielgud give Gloucester Goneril hand hath head heart hold interpretation Irving J.P. Kemble John Kean and Irving keep Kent kind King Lear knights Lear's leave letter London look lord Macready madness means mind moved nature never notes opening Oswald performance Phelps play poor present production promptbook Regan rest restored role scene seemed servants Shakespeare sister speak speech spoke stage stand storm stressed suggested Tate Tate's tears tell Theatre thee thing thou throne took turn