King LearBristol Classical Press, 1987 - 247 pages |
From inside the book
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Page vi
... expression of the face ; and that the inexpressible is precisely the thing that the great actor can make us understand . In describing the effect on audiences of those tones and expressions , and all the other business of the stage ...
... expression of the face ; and that the inexpressible is precisely the thing that the great actor can make us understand . In describing the effect on audiences of those tones and expressions , and all the other business of the stage ...
Page 3
... expression for the profoundest personal concerns of our culture . The fears which attend the process of aging are dramatised in Lear's expulsion ; the storm is a coup de théâtre which embodies both that universal horror , and the ...
... expression for the profoundest personal concerns of our culture . The fears which attend the process of aging are dramatised in Lear's expulsion ; the storm is a coup de théâtre which embodies both that universal horror , and the ...
Page 233
... Expression of Angar yet different from that of Madness or a sound Mind ' . He then woke ' with a gentle Exclamation ' ( Pittard , p . 21 ) . 17 Kemble had the ruffians lift him up . 18 Kemble was much admired for his ' splendid eyes ...
... Expression of Angar yet different from that of Madness or a sound Mind ' . He then woke ' with a gentle Exclamation ' ( Pittard , p . 21 ) . 17 Kemble had the ruffians lift him up . 18 Kemble was much admired for his ' splendid eyes ...
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Common terms and phrases
action actor ALBANY appear arms audience Barker began Byrne carried century Charles Kean comes Cordelia CORNWALL court critics daughters death direction Edgar Edmund Kean effect Enter entry Exeunt Exit expression eyes face father feel final followed Fool France Garrick gave Gielgud give Gloucester Goneril hand hath head heart hold interpretation Irving J.P. Kemble John Kean and Irving keep Kent kind King Lear knights Lear's leave letter London look lord Macready madness means mind moved nature never notes opening Oswald performance Phelps play poor present production promptbook Regan rest restored role scene seemed servants Shakespeare sister speak speech spoke stage stand storm stressed suggested Tate Tate's tears tell Theatre thee thing thou throne took turn