King LearBristol Classical Press, 1987 - 247 pages |
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Page 6
William Shakespeare Jacqueline S. Bratton. directions of the performance upon which the first printed text was based ... direction ( V.2 ) -Alarum . Enter the powers of France over the stage , Cordelia with her father in her hand ' - the ...
William Shakespeare Jacqueline S. Bratton. directions of the performance upon which the first printed text was based ... direction ( V.2 ) -Alarum . Enter the powers of France over the stage , Cordelia with her father in her hand ' - the ...
Page 159
William Shakespeare Jacqueline S. Bratton. Kills him The quarto direction here , ' Shee takes a sword and runs at him behind ' is the most striking example of the stage directions which seem to suggest a direct report of a performance ...
William Shakespeare Jacqueline S. Bratton. Kills him The quarto direction here , ' Shee takes a sword and runs at him behind ' is the most striking example of the stage directions which seem to suggest a direct report of a performance ...
Page 195
... direction , the entry of the ' powers of France ' ; the folio stressed that these are Cordelia's forces , cutting remainders of France in the last two acts and so simplifying the issue - simplifying it , indeed , in the direction that ...
... direction , the entry of the ' powers of France ' ; the folio stressed that these are Cordelia's forces , cutting remainders of France in the last two acts and so simplifying the issue - simplifying it , indeed , in the direction that ...
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Common terms and phrases
actor ALBANY audience Barker notes Burgundy Byrne Charles Kean Cordelia CORNWALL critics curse Cut by Irving daughters Donald Sinden Donald Wolfit dost drama duke Edmund Kean effect Enter Edgar Enter Lear entry Exeunt Exit eyes father followed Fool Fool's France Garrick GENTLEMAN Gielgud in 1940 Gloucester Gloucester's Goneril Goodbody Granada TV Granada TV production hand hath Hazlitt heart Hughes Irving cut Irving's J.C. Trewin J.P. Kemble Kean and Irving Kean's Kent Kent's King Lear knights Komisarjevsky Laughton Lear and Cordelia Lear's London Drury Lane lord Macready's madam madness nuncle Oswald pathos Paul Scofield performance Peter Brook Phelps playing Lear promptbook Regan restored role Samuel Phelps scene Scofield servants Shakespeare Shakespeare Memorial Theatre Shakespeare's text Shakespearian sister speak speech spoke stage storm Stratford upon Avon sword Tate Tate's text Tate's version tears Theatre theatrical thee thou throne tragedy Trewin villain