Approaching Authority: Transpersonal Gestures in the Poetry of Yeats, Eliot, and WilliamsBucknell University Press, 1997 - 236 pages This study, using the example of Yeats, Eliot, and Williams, examines the principal gestures of Modernist poetic speakers attempting to identify, mediate, and project cultural authority. To effect this mediation, the poetic speakers must engage in "transpersonality"; by association with the objects of presences in the poem, they must translate their finite egos into mediating voices detached from the concerns of unique selfhood. However, complete transpersonality brings silence: the fact of utterance presupposes a unique perspective, never the totality of perspectives that an atemporal authority possesses. So, rather than the speaker's elevation to a position of authority, the necessary result of the transpersonality is instead that the speaker approach authority in calculated acts of mystification. |
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Page 66
... creative powers of the mind . Second , the speaker sustains his ambiguous relationship to his younger self , simultaneously endorsing and detaching him- self . This ambiguity is important because it permits the implicit claim that the ...
... creative powers of the mind . Second , the speaker sustains his ambiguous relationship to his younger self , simultaneously endorsing and detaching him- self . This ambiguity is important because it permits the implicit claim that the ...
Page 70
... creative mind comes to itself in moments of self- consciousness , moments when it knows itself simultaneously as subject and object , liberated by a divine origin , not determined by it . The creative mind in contact with itself ...
... creative mind comes to itself in moments of self- consciousness , moments when it knows itself simultaneously as subject and object , liberated by a divine origin , not determined by it . The creative mind in contact with itself ...
Page 222
... creative , just as a plane is formed when two lines intersect . Kinreth Meyer updates the claims about Williams's Romanticism in an ideologi- cal assault on his use of the American landscape . Principally , she asserts that " the ...
... creative , just as a plane is formed when two lines intersect . Kinreth Meyer updates the claims about Williams's Romanticism in an ideologi- cal assault on his use of the American landscape . Principally , she asserts that " the ...
Contents
Acknowledgments | 7 |
Logos and Ego | 44 |
Egocentered Authority | 72 |
Copyright | |
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Common terms and phrases
abstract actual archetypal argues assert authenticity authority to mediate Book Burnt Norton centered authority claims co-extensive authority consciousness consequence create creative Cress cultural authority death descent desire display divine Dry Salvages East Coker effort ego and Logos ego-centered authority ego's Eliot empirical exist experience expressed failure figurative level Four Quartets gestures Hanrahan hieratic homologous human idea ideal identify identity images imagination individual inevitable interpretive invocation language Little Gidding Logos-centered authority Mary Hynes meaning mind mind's modern modernist movement Nature objective world passage Paterson perceived perception poem poem's poet poet's poetic authority poetic speaker poetry position presence pride prior projected reader purpose reading reality relationship reorientation rhetorical role Romantic Romantic poetry self-consciousness self's sense speaker's authority speaking ego structure T.S. Eliot temporal authority textual voice thority tion tradition transpersonal University Press vision W. B. Yeats William Carlos Williams Williams's Yeats Yeats's younger