A philosophical enquiry [&c.].1827 |
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Page 11
... representing at pleasure the images of things in the order and manner in which they were received by the senses , or in combining those images in a new manner , and according to a different order . This power is called Imagination ; and ...
... representing at pleasure the images of things in the order and manner in which they were received by the senses , or in combining those images in a new manner , and according to a different order . This power is called Imagination ; and ...
Page 14
... represented or compared ex- tends . The principle of this knowledge is very much accidental , as it depends upon experience and observation , and not on the strength or weakness of any natural faculty ; and it is from this difference in ...
... represented or compared ex- tends . The principle of this knowledge is very much accidental , as it depends upon experience and observation , and not on the strength or weakness of any natural faculty ; and it is from this difference in ...
Page 18
... represented , because , by the force of natural sympathy , they are felt in all men without any re- course to reasoning , and their justness recognised in every breast . Love , grief , fear , anger , joy , all these passions have in ...
... represented , because , by the force of natural sympathy , they are felt in all men without any re- course to reasoning , and their justness recognised in every breast . Love , grief , fear , anger , joy , all these passions have in ...
Page 27
... represented before you ; or imagine your smell is gratified with the fragrance of a rose ; or if , without any previous thirst , you were to drink of some pleasant kind of wine , or to taste of some sweetmeat without being hungry ; in ...
... represented before you ; or imagine your smell is gratified with the fragrance of a rose ; or if , without any previous thirst , you were to drink of some pleasant kind of wine , or to taste of some sweetmeat without being hungry ; in ...
Page 43
... represents . Choose a day on which to represent the most su- blime and affecting tragedy we have ; appoint the most favourite actors ; spare no costs upon the scenes and decorations ; unite the greatest efforts of poetry , painting ...
... represents . Choose a day on which to represent the most su- blime and affecting tragedy we have ; appoint the most favourite actors ; spare no costs upon the scenes and decorations ; unite the greatest efforts of poetry , painting ...
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Common terms and phrases
admiration affected agreeable Albunea animals appear arises body called capable cause of beauty clear colours common complicated kind considerable considered darkness degree delight disposition emotion excite fear fect feeling figure fitness ginal give grand grandeur horror human ideas of pain images imagination imita imitation indifference infinite infinity inquiry kind light lively colours Lucretius manner means measures mind motion nature neral ness never object obscure observed occasions operate pain and danger painter painting papillę particular pathy Phlegethon plea pleasing poetry positive pain positive pleasure Priam principle produce proportion purposes qualities quantity racters reality reason relaxation remarkable resemblance rience riety SECT sensation sense sensible shew sider simple smooth society sophism sort sound species strength striking strong sublime and beautiful suffer suppose sure sweet Taste terrible terror things tion tremely turally uniform unoperative violent whilst whole words
Popular passages
Page 54 - The other shape, If shape it might be call'd, that shape had none Distinguishable in member, joint, or limb, Or substance might be call'd that shadow seem'd, For each seem'd either; black it stood as night, Fierce as ten furies, terrible as hell And shook a dreadful dart; what seem'd his head The likeness of a kingly crown had on.
Page 119 - And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse, Such as the meeting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out With wanton heed and giddy cunning, The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony; That Orpheus...
Page 56 - Less than archangel ruined, and the excess Of glory obscured ; as when the sun, new risen, Looks through the horizontal misty air Shorn of his beams, or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 58 - In thoughts from the visions of the night, When deep sleep falleth on men, Fear came upon me, and trembling, Which made all my bones to shake. Then a spirit passed before my face; The hair of my flesh stood up : It stood still, but I could not discern the form thereof: An image was before mine eyes, There was silence, and I heard a voice, saying, Shall mortal man be more just than God?
Page 52 - And to things of great dimensions, if we annex an adventitious idea of terror, they become without comparison greater. A level plain of a vast extent on land, is certainly no mean idea...
Page 65 - Tremble, thou earth, at the presence of the Lord, at the presence of the God of Jacob; 8.
Page 56 - Here is a very noble picture; and in what does this poetical picture consist? in images of a tower, an archangel, the sun rising through mists, or in an eclipse, the ruin of monarchs, and the revolutions of kingdoms. The mind is hurried out of itself by a crowd of great and confused images, which affect because they are crowded and confused.
Page 109 - There is a wide difference between admiration and love. The sublime, which is the cause of the former, always dwells on great objects, and terrible ; the latter on small ones, and pleasing ; we submit to what we admire, but we love what submits to us; in one case we are forced, in the other we are nattered, into compliance.
Page 34 - When danger or pain press too nearly, they are incapable of giving any delight, and are simply terrible ; but at certain distances, and with certain modifications, they may be, and they are, delightful, as we every day experience.
Page 33 - WHATEVER is fitted in any sort to excite the ideas of pain and danger, that is to say, whatever is in any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terrour, is a source of the sublime ; that is, it is productive of the strongest emotion which the mind is capable of feeling.