| Samuel Taylor Coleridge - 1816 - 82 pages
...than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
| 1816 - 676 pages
...from two to three hundred lines; if that, indeed, can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expression, without any sensation or consciousness of effort. On awaking, he appeared to nimself to... | |
| Samuel Taylor Coleridge - 1828 - 374 pages
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection of the whole, and taking his pen ink, and paper,... | |
| Samuel Taylor Coleridge - 1829 - 400 pages
...lines; if that indeed can be called composition in which all the images rose up before him as tliingi, with a parallel production of the correspondent expressions,...any sensation or consciousness of effort. On awaking be appeared to himself to have a distinct recollection of the whole, and taking his pen, ink, and paper,... | |
| 1829 - 558 pages
...composition had almost always happened to him in the production of his poems, viz., that " the images rose up before him as things, with a parallel production of the correspondent expressions." We cannot but believe that usually his " visions flit very palpably before him," from the effect of... | |
| Samuel Taylor Coleridge - 1831 - 628 pages
...that indeed can be called composition in which nil the image« rose UP b<Ttir<j him an things, witli n awaAinp h« appeared to himself to have a •li-iimrt recollection of tlie whole, and taking his pen.... | |
| Robert Macnish - 1834 - 310 pages
...than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole : and taking his pen, ink, and paper... | |
| Robert Macnish - 1834 - 362 pages
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production...sensation or consciousness of effort. On awaking, he appeared to himself to have a distinct recollection of the whole: and, taking his pen, ink, and paper,... | |
| Samuel Taylor [poetical works] Coleridge - 1834 - 312 pages
...two to three hundred lines ; if that indeed can be called composition in which all the images roso up before him as things, with a parallel production...sensation or consciousness of effort. On awaking he appeared to him•elf to have a distinct recollection of the whole, and taking hi* pen, ink, and paper,... | |
| Samuel Taylor Coleridge - 1835 - 320 pages
...from two to three hundred lines ; if that indeed can be called composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any se%sation or consciousness of effort. On awaking he appeared to himself to have a distinct recollection... | |
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