| Samuel Taylor Coleridge - 1817 - 312 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create...unify. It is essentially vital, even as all objects (a* objects) are essentially fixed and dead. FANCY, on the contrary, has no other counters to play... | |
| Samuel Taylor Coleridge - 1834 - 360 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create...has no other counters to play with, but fixities and definities. The Fancy is, indeed, no other than a mode of Memory emancipated from the order of time... | |
| Samuel Taylor Coleridge - 1834 - 368 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create...struggles to idealize and to unify. It is essentially ritiil, even as all objects (as objects) are essentially fixed and dead. FANCY, on the contrary, has... | |
| Samuel Taylor Coleridge - 1840 - 582 pages
...dissolves, diffuses, dissipates, in order I to re-create ; or, where fins process is rendered im! possible, fountain may prove the occasion of drought. Just and generous a ft is essentially vital, even as all objects (as objects) are essentially fixed and dead. FANCY, on... | |
| Samuel Taylor Coleridge, Henry Nelson Coleridge - 1847 - 572 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation.14 It dissolves, diffuses, dissipates, in order to re-create...The fancy is indeed no other than a mode of memory emancipated from the order of time and space ; while it is blended with, and modified by that empirical... | |
| Samuel Taylor Coleridge, Henry Nelson Coleridge - 1847 - 462 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation.i4 It dissolves, diffuses, dissipates, in order to re-create...all objects (as objects) are essentially fixed and dead.i6 FANCY, on the contrary, has no other counters to play with, but fixities and definites. The... | |
| Samuel Taylor Coleridge - 1847 - 282 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation.14 It dissolves, diffuses, dissipates, in order to re-create...unify. It is essentially vital, even as all objects (as _objects) are essentially fixed and dead.15 FANCY, on the contrary, has no other counters to play with,... | |
| Samuel Taylor Coleridge, Henry Nelson Coleridge - 1847 - 570 pages
...where this process is rendered rnipos- I sible, yet still at all events it struggles to idealize and I to unify, , It is essentially vital, even as all objects (as / objects) are essentially fixecTana1 dead.15 . J FANCY, on the contrary, has no other counters to play" with, 'btil fixities... | |
| Samuel Taylor Coleridge - 1848 - 458 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation.14 It dissolves, diffuses, dissipates, in order to re-create...all objects (as objects) are essentially fixed and dead.15FANCY, on the contrary, has no other counters to play with, but fixities and definitcs. The... | |
| 1848 - 722 pages
...primary in the kind of its agency, and differing only in degree, and in the mode of its operation. It dissolves, diffuses, dissipates, in order to re-create...to idealize and to unify. It is essentially vital," etc. " FANCY, on the contrary, has no other counters to play with, but fixities and definities. The... | |
| |