back to back, and furnished with wings. They appeared to represent divinities, presiding over the seasons, or over particular religious ceremonies. The one, whose face was turned to the East, carried a fallow deer on his right arm, and in his left hand a branch bearing five flowers. Around his temples was a fillet, adorned in front with a rosette. The other held a square vessel, or basket, in the left hand, and an object resembling a fir cone in the right. On his head he wore a rounded cap, at the base of which was a horn. The garments of both, consisting of a stole falling from the shoulders to the ankles, and a short tunic underneath, descending to the knee, were richly and tastefully decorated with embroideries and fringes, whilst the hair and beard were arranged with study and art. Although the relief was lower, yet the outline was perhaps more careful, and true, than that of the Assyrian sculptures of Khorsabad. The limbs were delineated with peculiar accuracy, and the muscles and bones faithfully, though somewhat too strongly, marked. An inscription ran across the sculpture. To the west of this slab, and fitting to it, was a cornerstone ornamented with flowers and scroll-work, tastefully arranged, and resembling in detail those graven on the injured tablet, near entrance d of the S. W. building. I recognized at once from whence many of the sculptures, employed in the construction of that edifice, had been brought; and it was evident that I had at length discovered the earliest palace of Nimroud. The corner-stone led me to a figure of singular form.* A human body, clothed in robes similar to those of the winged men on the previous slab, was surmounted by the head of an eagle or of a vulture. † The curved beak, of considerable length, was half open, and displayed a narrow pointed tongue, which was still covered with red paint. On the shoulders fell * No. 32, chamber B, plan 3. + It has been suggested that this is the head of a cock, but it is unquestionably that of a carnivorous bird of the eagle tribe. the usual curled and bushy hair of the Assyrian images, and a comb of feathers rose on the top of the head. Two wings sprang from the back, and in either hand was the square vessel and fir cone. On all these figures paint could be faintly distinguished, particularly on the hair, beard, eyes, and sandals. The slabs on which they were sculptured had sustained no injury, and could be without difficulty packed and moved to any distance. There could no longer be any doubt that they formed part of a chamber, and that, to explore it completely, I had only to continue along the wall, now partly uncovered. On the morning following these discoveries, I rode to the encampment of Sheikh Abd-ur-rahman, and was returning to the mound, when I saw two Arabs of his tribe urging their mares to the top of their speed. On approaching me they stopped. Hasten, O Bey," exclaimed one of them-" hasten to the diggers, for they have found Nimrod himself. Wallah, it is wonderful, but it is true! we have seen him with our eyes. There is no God but God;" and both joining in this pious exclamation, they galloped off, without further words, in the direction of their tents. On reaching the ruins I descended into the new trench, and found the workmen, who had already seen me, as I approached, standing near a heap of baskets and cloaks. Whilst Awad advanced, and asked for a present to celebrate the occasion, the Arabs withdrew the screen they had hastily constructed, and disclosed an enormous human head sculptured in full out of the alabaster of the country. They had uncovered the upper part of the figure, the remainder of which was still buried in the earth. I saw at once that the head must belong to a winged lion or bull, similar to those of Khorsabad and Persepolis. It was in admirable preservation. The expression was calm, yet majestic, and the outline of the features showed a freedom and knowledge of art, scarcely to be looked for in the works of so remote a period. The cap had three horns, |