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Addiſon afterwards allowed appeared attention became born brought called character church College common compoſition conſidered continued court death delight died Dryden Duke Earl educated elegance Engliſh equal excellence father firſt formed friends gave give given himſelf honour houſe Italy Johnſon kind King known labour language laſt learning leſs letters lines lived London Lord manner maſter mind moſt mother muſt nature never obtained occaſion once original performance perhaps pieces play poem poet poetical poetry Pope pounds praiſe preſent produced publiſhed Queen reaſon received relates returned ſaid ſame Savage ſays ſchool ſeems ſent ſeveral ſhe ſhort ſhould ſome ſometimes ſon ſoon ſtage ſtudy ſuch ſuppoſed Swift theſe thoſe thought tion took tragedy tranſlated uſed verſes volume Waller whole whoſe write written wrote young
Page 146 - His legs were so slender, that he enlarged their bulk with three pair of stockings, which were drawn on and off by the maid; for he was not able to dress or undress himself, and neither went to bed nor rose without help.
Page 31 - He seems to have been well acquainted with his own genius, and to know what it was that nature had bestowed upon him more bountifully than upon others; the power of displaying the vast, illuminating the splendid, enforcing the awful, darkening the gloomy, and aggravating the dreadful...
Page 239 - In the character of his Elegy I rejoice to concur with the common reader; for by the common sense of readers uncorrupted with literary prejudices, after all the refinements of subtilty and the dogmatism of learning, must be finally decided all claim to poetical honours.
Page 151 - To circumscribe poetry by a definition will only shew the narrowness of the definer, though a definition which shall exclude Pope will not easily be made. Let us look round upon the present time, and back upon the past; let us...
Page 49 - They have not the formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled: every word seems to drop by chance, though it falls into its proper place. Nothing is cold or languid; the whole is airy, animated, and vigorous; what is little, is gay; what is great, is splendid.
Page 33 - The plan of Paradise Lost has this inconvenience, that it comprises neither human actions nor human manners. The man and woman who act and suffer are in a state which no other man or woman can ever know. The reader finds no transaction in which he can be engaged, beholds no condition in which he can by any effort of imagination place himself; he has, therefore, little natural curiosity or sympathy.
Page 238 - The mind of the writer seems to work with unnatural violence. Double, double, toil and trouble. He has a kind of strutting dignity, and is tall by walking on tiptoe. His art and his struggle are too visible, and there is too little appearance of ease and nature.
Page 148 - Thirty-eight; of which Dodsley told me, that they were brought to him by the author, that they might be fairly copied. "Almost every line...