KING LEAR1963 |
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Page xxxiii
... dramatic emblem is achieved, a speaking picture, whose purport is not realistic but symbolic. What Shakespeare is after is this dark collocation, or sequence: A good man's fortune may grow out at heels. Edgar I nothing am. In the same ...
... dramatic emblem is achieved, a speaking picture, whose purport is not realistic but symbolic. What Shakespeare is after is this dark collocation, or sequence: A good man's fortune may grow out at heels. Edgar I nothing am. In the same ...
Page 232
... dramatic point of view. Its purpose is not merely dramatic. This sudden blow out of the darkness, which seems so far from inevitable, and which strikes down our reviving hopes for the victims of so much cruelty, seems now only what we ...
... dramatic point of view. Its purpose is not merely dramatic. This sudden blow out of the darkness, which seems so far from inevitable, and which strikes down our reviving hopes for the victims of so much cruelty, seems now only what we ...
Page 243
... dramatic prologue; and they might, by modern custom, count as a first act, for after them falls the only clearly indicated time-division in the play. The Folio, however, adds the quarrel with Goneril before an act-pause is allowed: then ...
... dramatic prologue; and they might, by modern custom, count as a first act, for after them falls the only clearly indicated time-division in the play. The Folio, however, adds the quarrel with Goneril before an act-pause is allowed: then ...
Contents
Prefatory Remarks | vii |
Introduction i | xxii |
The Tragedy of King Lear | 39 |
Copyright | |
5 other sections not shown
Common terms and phrases
A. C. Bradley Alack Albany arms better blind brother Burgundy characters Cordelia Cornwall daugh daughters death dost doth Dover dramatic Duke Duke of Cornwall Edmund Enter Edgar Enter Gloucester Enter Lear evil Exeunt eyes F omits F prints fall father feel Folio follow Fool fortune France Gentleman give Gloster Gloucester's gods Goneril grace hast hath hear heart heavens hendiadys honor justice Kent King Lear knave lady Lear's Leir look lord Macbeth madam master Messenger mind Mirror for Magistrates nature never night noble Nuncle Oswald Othello Paphlagonia passion Perillus pity play poor pray Prithee Q corrected Quarto Raphael Holinshed Regan s.d. Enter s.d. Exit Scena Scene seems Servant Shake Shakespeare sister speak stage storm tell theater thee there's thine thing thou art tion tragedy traitor trumpet unto villain William Shakespeare words wretch