The Works of Richard Hurd, Lord Bishop of Worcester: Critical worksT. Cadell and W. Davies, Strand, 1811 |
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Page 6
... distinct and vivid concep tions ; and truth of representation being of less account in this way of composition , than the liveliness of it , poetry , as such , will delight in tropes and figures , and those the most strongly and ...
... distinct and vivid concep tions ; and truth of representation being of less account in this way of composition , than the liveliness of it , poetry , as such , will delight in tropes and figures , and those the most strongly and ...
Page 30
... distinct ENDS , it is , further , distinguished into different species , which we know by the names of TRAGEDY , COMEDY , and FARCE . By TRAGEDY , then , I mean that species of dramatic representation , whose end is " to excite the ...
... distinct ENDS , it is , further , distinguished into different species , which we know by the names of TRAGEDY , COMEDY , and FARCE . By TRAGEDY , then , I mean that species of dramatic representation , whose end is " to excite the ...
Page 37
... distinct from the interest we take in their fortunes , is the contemplation of their manners and humours . Their actions , when they are not of that sort , which seizes our ad- miration , or catches the affections , are no otherwise ...
... distinct from the interest we take in their fortunes , is the contemplation of their manners and humours . Their actions , when they are not of that sort , which seizes our ad- miration , or catches the affections , are no otherwise ...
Page 80
... distinct from that we receive from a view of high life on the one hand , and ordinary life disfigured on the other , is the satisfaction of contemplating the truth of character . How- ever then this species of representation may be ...
... distinct from that we receive from a view of high life on the one hand , and ordinary life disfigured on the other , is the satisfaction of contemplating the truth of character . How- ever then this species of representation may be ...
Page 81
... distinct and separate species only of the drama ; or whether , as he pre- tends , a certain scale , which connects by an insensible communication the several modifi- cations of dramatic representation , unites and incorporates the two ...
... distinct and separate species only of the drama ; or whether , as he pre- tends , a certain scale , which connects by an insensible communication the several modifi- cations of dramatic representation , unites and incorporates the two ...
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Common terms and phrases
action admiration Aelian Aeneis affections allusion ancient appear Aristotle beauty BISHOP OF WORCESTER cerned character chuses circumstances comedy comic common conclusion copied critic degree delight disposition doth drama draught end of poetry entertainment epic Euripides expression fable fancy FARCE genius ginal give GONDIBERT Greece Greek hath Homer human humour idea imagery imagination imita instance invention Italian Jonson kind language Latin learned Ludlow Castle manners MARKS OF IMITATION mean Milton mind modern nature nihil numbers object observation occasion original particular passion peculiar perhaps periphrasis persons picture Plato Plautus pleasure poem poet poet's poetic Pope proper province racter reader reason reflexions religion repre representation resemblance rhyme RICHARD HURD ridicule rience scene sense sentiment Shakespear shew similar sion sort speak species Statius taken taste Theophrastus things thought tion tragedy true truth turn verse Virgil WILLIAM JEPHSON words καὶ
Popular passages
Page 258 - Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of Truth, in endless Error hurl'd: The glory, jest, -and riddle of the world!
Page 246 - Begin to cast a beam on the outward shape, 460 The unpolluted temple of the mind, And turns it by degrees to the soul's essence, Till all be made immortal ; but when lust By unchaste looks, loose gestures, and foul talk, But most by lewd and lavish act of sin, Lets in defilement to the inward parts, The soul grows clotted by contagion, Imbodies, and imbrutes, till she quite lose The divine property of her first being.
Page 247 - How charming is divine Philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfeit reigns.
Page 245 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become • A kneaded clod...
Page 292 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Page 284 - Lets in new light through chinks that Time has made: Stronger by weakness, wiser men become As they draw near to their eternal home. Leaving the old, both worlds at once they view That stand upon the threshold of the new.
Page 125 - It was the lark, the herald of the morn, No nightingale ; look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops; I must be gone and live, or stay and die.
Page 284 - And, as I wake, sweet music breathe Above, about, or underneath, Sent by some spirit to mortals good, Or the unseen Genius of the wood.
Page 249 - Sirens' harmony, That sit upon the nine infolded spheres, And sing to those that hold the vital shears, And turn the adamantine spindle round On which the fate of gods and men is wound.
Page 234 - Therefore they who say our thoughts are not our own because they resemble the Ancients may as well say our faces are not our own because they are like our fathers...