The Works of Richard Hurd, Lord Bishop of Worcester: Critical worksT. Cadell and W. Davies, Strand, 1811 |
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Page 29
... I did those of poetry at large , from the consideration of its end : not the general end of poetry , which alone was proper to be considered in the former case , but the proximate end of this kind . For from these ends , in subordi-
... I did those of poetry at large , from the consideration of its end : not the general end of poetry , which alone was proper to be considered in the former case , but the proximate end of this kind . For from these ends , in subordi-
Page 32
... consideration in the views of the tragic poet , and are exhibited only for the sake of making the action more proper to interest us . Thus our joy , on the happy catastrophe of the fable , depends , in a good 32 ON THE PROVINCES OF.
... consideration in the views of the tragic poet , and are exhibited only for the sake of making the action more proper to interest us . Thus our joy , on the happy catastrophe of the fable , depends , in a good 32 ON THE PROVINCES OF.
Page 43
... consideration shews the observance of this rule to be essen- e The neglect of this is one of the greatest defects in the modern drama ; which in nothing falls so much short of the perfection of the Greek scene as in this want of ...
... consideration shews the observance of this rule to be essen- e The neglect of this is one of the greatest defects in the modern drama ; which in nothing falls so much short of the perfection of the Greek scene as in this want of ...
Page 54
... care cannot be had to retain them in a due medium . But to return from this digression to the consideration of the difference of the two dramas . $ 3. A sameness of character is not usually . objected 54 ON THE PROVINCES OF.
... care cannot be had to retain them in a due medium . But to return from this digression to the consideration of the difference of the two dramas . $ 3. A sameness of character is not usually . objected 54 ON THE PROVINCES OF.
Page 79
... consideration of what is terrible , pitiable , tender , or ridiculous , but simply of what is natural . The picture is pleasant or otherwise , as it chances ; but is always the source of entertainment to the ob- server . When the ...
... consideration of what is terrible , pitiable , tender , or ridiculous , but simply of what is natural . The picture is pleasant or otherwise , as it chances ; but is always the source of entertainment to the ob- server . When the ...
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Common terms and phrases
action admiration Aelian Aeneis affections allusion ancient appear Aristotle beauty BISHOP OF WORCESTER cerned character chuses circumstances comedy comic common conclusion copied critic degree delight disposition doth drama draught end of poetry entertainment epic Euripides expression fable fancy FARCE genius ginal give GONDIBERT Greece Greek hath Homer human humour idea imagery imagination imita instance invention Italian Jonson kind language Latin learned Ludlow Castle manners MARKS OF IMITATION mean Milton mind modern nature nihil numbers object observation occasion original particular passion peculiar perhaps periphrasis persons picture Plato Plautus pleasure poem poet poet's poetic Pope proper province racter reader reason reflexions religion repre representation resemblance rhyme RICHARD HURD ridicule rience scene sense sentiment Shakespear shew similar sion sort speak species Statius taken taste Theophrastus things thought tion tragedy true truth turn verse Virgil WILLIAM JEPHSON words καὶ
Popular passages
Page 258 - Created half to rise, and half to fall; Great lord of all things, yet a prey to all; Sole judge of Truth, in endless Error hurl'd: The glory, jest, -and riddle of the world!
Page 246 - Begin to cast a beam on the outward shape, 460 The unpolluted temple of the mind, And turns it by degrees to the soul's essence, Till all be made immortal ; but when lust By unchaste looks, loose gestures, and foul talk, But most by lewd and lavish act of sin, Lets in defilement to the inward parts, The soul grows clotted by contagion, Imbodies, and imbrutes, till she quite lose The divine property of her first being.
Page 247 - How charming is divine Philosophy! Not harsh and crabbed, as dull fools suppose, But musical as is Apollo's lute, And a perpetual feast of nectar'd sweets, Where no crude surfeit reigns.
Page 245 - Ay, but to die, and go we know not where ; To lie in cold obstruction, and to rot ; This sensible warm motion to become • A kneaded clod...
Page 292 - Between the acting of a dreadful thing And the first motion, all the interim is Like a phantasma, or a hideous dream : The genius, and the mortal instruments, Are then in council; and the state of man, Like to a little kingdom, suffers then The nature of an insurrection.
Page 284 - Lets in new light through chinks that Time has made: Stronger by weakness, wiser men become As they draw near to their eternal home. Leaving the old, both worlds at once they view That stand upon the threshold of the new.
Page 125 - It was the lark, the herald of the morn, No nightingale ; look, love, what envious streaks Do lace the severing clouds in yonder east. Night's candles are burnt out, and jocund day Stands tiptoe on the misty mountain tops; I must be gone and live, or stay and die.
Page 284 - And, as I wake, sweet music breathe Above, about, or underneath, Sent by some spirit to mortals good, Or the unseen Genius of the wood.
Page 249 - Sirens' harmony, That sit upon the nine infolded spheres, And sing to those that hold the vital shears, And turn the adamantine spindle round On which the fate of gods and men is wound.
Page 234 - Therefore they who say our thoughts are not our own because they resemble the Ancients may as well say our faces are not our own because they are like our fathers...